Category Archives: Good Ideas

Rewriting Biopolitics? The Kerala Sastra Sahitya Parishat and the Left

[This is a response to many who ask me why I chose to be part of the KSSP’s ongoing Kerala Padayatra, which seeks to highlight crucial issues in development and governance in Kerala.]

Continue reading Rewriting Biopolitics? The Kerala Sastra Sahitya Parishat and the Left

What is a city – Dilli hai jiska naam IX: Sohail Hashmi

This is the final post in a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam and the links to the previous posts can be found at the end.

My post below is the final one in the series. It was originally presented at a seminar at the Srishti School of Art Design and Technology, Bangalore, and is included in “Radical City – Imagining Possibilities for the Indian City” (Sage Publishers).

What is a City? Sohail Hashmi

What exactly is a city, is it just a large settlement, is the size of the population living within a definable area the only criterion, is it merely a centre of production, exchange and transport, how does one distinguish it from a village or a small town?

Questions such as these have engaged scholars cutting across diverse disciplines and a large number of definitions of a city exist, A city has been defined in terms of its demographics alone – a densely populated area, through its size – a city is a large settlement, there are other definitions that try to define the city through its systems of public utilities, through the presence of centralised civic authority, as a centre of production, a site through which political power is exercised and even as a site with a continuous history cutting across centuries.

A city is all this and more and this essay would seek to present some partially formed ideas on what is this elusive ‘more’.

Continue reading What is a city – Dilli hai jiska naam IX: Sohail Hashmi

Can Delhi Experience Blue Yamuna once again? Dilli hai jiska naam VIII: Manoj Misra

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam and the links to the previous posts can be found at the end.

This is the eighth post in the series by MANOJ MISRA

The article that follows is dedicated by the author to the memory of Prof. Brij Gopal, a leading authority on Wetlands and Aquatic Systems, who passed away on the 4th of January 2021. Manoj Misra, the author of the article was keen that his tribute to Prof. Brij Gopal be placed at the head of his piece. The article, which focuses on the issues that bedevil the once mighty river Yamuna, follows the tribute. 

In Memoriam – Prof. Brij Gopal (1944-2021)

Prof. Brij Gopal, a former Professor of Environmental Sciences at JNU breathed his last suddenly on 4 January 2021. An internationally renowned expert on wetlands and aquatic systems he was associated with the National Institute on Ecology (NIE). After retiring from JNU he set up in 2009 the “Centre for Inland Waters in South Asia” (CIWSA) at a small village named Peera near Khajuraho in Madhya Pradesh with an objective to encourage and mentor budding researchers and to work on water related issues of Bundelkhand region.

He was amiable and yet firm. To him science and scientific facts were paramount. Having seen increasing threats to rivers and their floodplains he convinced the union Ministry of Environment & Forests to consider legal protection to them in form of a River Zone Regulation (RRZ) on the lines of CRZ. He became the key architect of the draft notification but which for largely political reasons is still to get notified.

His vast scholarship was acknowledged by ministries and courts and he was asked to help as a member on various expert committees.

To us at the India Rivers Week/Forum (IRF) and Yamuna Jiye Abhiyaan (YJA) he was a constant source of encouragement and advice. His passing away is an irreplaceable loss and his absence would be gravely felt.

May his soul rest in peace!   

Can Delhi Experience Blue Yamuna once again? Manoj Misra

Let us ‘clean’ the river….has been the rallying call.

To see a ‘clean’ river be it Ganga or Yamuna has for decades been a fond national wish. Appropriately the apex government agency for Ganga rejuvenation has been named the ‘National Mission for “Clean” Ganga’ (NMCG). Continue reading Can Delhi Experience Blue Yamuna once again? Dilli hai jiska naam VIII: Manoj Misra

ONION CITY – Dilli hai jiska naam VII: Anisha Shekhar Mukherji

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam and the links to the previous posts can be found at the end.

This is the seventh post in the series by Anisha Shekhar Mukherji

Onion City: Anisha Shekhar Mukherji

 Apparitions of different Delhis : A medieval structure engulfed by the expansion of Jawaharlal Nehru Stadium, 2010 (Photo: Snehanshu Mukherjee)

Delhi often reminds me of an onion. Imperfectly taken apart, many layered, veined, maimed. Its layers are not coherent or visibly bound. Scattered stray wisps forlornly curl at the edges in some corner, many centuries lie bunched together in another. Yet within them lie hidden vapours of many pasts, rising unbidden to sting you into an awareness of a different time.

Celebrated in tradition, song and history, the region of Delhi has been an urban centre almost continuously for more than 3000 years. The legendary epic Mahabharata[1] refers to Indraprastha—the capital of the kingdom of the five Pandavas, each embodying a virtue, and their beautiful wife, Draupadi—on whose site it is said, present-day Delhi sits. The Pandavas lost and won Indraprastha again. And that has been the fate of Delhi through the ages—to be lost and won successively by different rulers. Archaeological fragments and architectural remains of later dynasties, who built their cities here, may still be seen—from those of the Tomars in the eleventh century to the Mughals in the nineteenth century CE—vast palaces, intricate temples, looming gateways, arched bridges, domed mosques and tombs. In actuality each ruler demarcated a portion of land, within the larger area of what is now termed Delhi, as his city. So, effectively, the various cities of Delhi consisted of separate stakes of land with their own city walls, forts and supporting fabric. Sometime these cities encompassed and integrated the older ones. Sometimes they appropriated, ousted or ignored them. Continue reading ONION CITY – Dilli hai jiska naam VII: Anisha Shekhar Mukherji

Shahjahanabad My Love Affair – Dilli hai jiska naam VI:  Jayshree Shukla

 We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam and the links to the previous posts can be found at the end.

This is the sixth post in the series, by JAYSHREE SHUKLA

Shahjahanabad My Love Affair: Jayshree Shukla

(All images by Jayshree Shukla)

 

Ja’ama Masjid

My love affair with Shahjahanabad is only five years old. But it has the passion and intensity of star crossed lovers who fight to be together against all odds. It all began when I enrolled to go for a heritage food walk with a cousin of mine.

The omens were not good. Mohammed (my friend and family driver) and I made the unwise decision to drive to Chandni Chowk and we got stuck in the mother of all jams almost right away. I frantically checked my watch over and over again. My cousin, who had wisely chosen to use the Metro, was already there. Finally, the group left without me.

As they moved to halt number one, I thought I could join them there. But to no avail. I was still stuck. I finally caught up with my group at halt number three. They were having Kanji Vadas. Then we crossed over to the other side and stopped briefly at the Sunehri Masjid. Here we learnt that Nadir Shah had ordered the massacre of the citizens of Delhi standing atop the roof of the Masjid. Exactly there, I too got slaughtered. In my enthusiasm I remained blissfully unmindful of the purse slung carelessly over my shoulder. I discovered soon enough that my wallet was gone. As were all my IDs, my credit and debit cards, all the money I had – everything. I had been foolish enough to keep everything in the wallet and bring it along that evening. So the heritage food walk ended for me in ten minutes. I was not even able to pay for it! And I spent the evening at the Kotwali trying to get an FIR registered. Continue reading Shahjahanabad My Love Affair – Dilli hai jiska naam VI:  Jayshree Shukla

Shehernama – Dilli hai jiska naam V: Dunu Roy

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam, and the links to the previous posts can be found at the end.

This is the fifth post in the series, by DUNU ROY

Shehernama: DUNU ROY

सीने में जलन आँखों में तूफ़ान सा क्यूँ है

इस शहर में हर शख़्स परेशां सा क्यूँ है

-Shaharyar

Twenty-fifth March 2020 marked yet another step forward in the emergence of a strong-arm State in India. An unprecedented lockdown began on that day; a draconian net of control and supervision descending on a people deeply divided, restive about one issue after another, plagued by an economy that makes the rich richer and the poor poorer, and now struck with the double whammy of a virus running amok with the State engineering a siege. Within a week, with work evaporating, savings running out, and stomachs clamouring for nourishment, the great exodus also began. In cities and towns across the land workers launched the long trek back home, dragging trolleys, head-loading baggage, carrying the very young the very old and the very sick, and evading – as best they could – a rampant police. The song from the 1978 film Gaman (Departure) strikes a wailing echo to the rhythm of purposeful feet – “Burning chests and stormy eyes; what ails all in this city”?

What is this city which gives birth to such imaginations?

Continue reading Shehernama – Dilli hai jiska naam V: Dunu Roy

Stand by farmers – boycott Adani and Reliance

The farmers unions have called for a boycott of all products of Adani and Reliance, the two corporates closest to the Modi-Shah regime and which stand to benefit the most from the opening up of the farm sector to agribusiness, which will not only destroy farmers’ livelihoods but affect food security for everyone.  The new laws have been drafted to facilitate ease of doing business for these corporations, eliminating safeguards for both farmers and consumers.

This post is simply a quick, not comprehensive, list of products we could all boycott (compiled with help from Anindita Bose and Rohit).

And just a reminder – the rapacious Adani corporation is wreaking havoc on Australia’s ecology too, and there is a huge people’s campaign there against Adani – #StopAdani . Continue reading Stand by farmers – boycott Adani and Reliance

The changing face of Delhi in travellers’ accounts – Dilli hai jiska naam IV: Swapna Liddle

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila.

This series is titled Dilli hai jiska naam, and the links to the previous posts can be found at the end.

This is the fourth post in the series, by SWAPNA LIDDLE

The changing face of Delhi in travellers’ accounts : Swapna Liddle

There are many sources through which we can learn about the history of a city, and these are often the writings of its inhabitants, such as personal letters, diaries, newspapers, and official documents of various kinds. When it comes to basic descriptions of a place, however, it is often the writings of travelers that give us the most vivid accounts. Residents often take their surroundings for granted, neither very conscious of nor feeling any imperative to record their own impressions of their surroundings.

Visitors, on the other hand, are struck by the novelty of the place, and the farther they come from, the more this is true. They often also want to record their memories, in words and in images. In the case of Delhi, a particularly large number of European visitors passed through and recorded their experiences from the late 18th century onwards. This coincided with the expansion of the British East India Company’s control over the Gangetic plain, and became a deluge after the Company actually conquered and began to administer Delhi in 1803. Sometimes the records of these travellers were personal aide memoires for a journey undertaken, but often accounts to be shared with those back home, via letters to near and dear ones. Some of these ended up in the form of published journals with a larger readership.

To us today, the words and pictures left behind are a valuable peek into a landscape that has since then changed profoundly, and this article will be largely dealing with that change. At the same time, 18th century observers were also acutely aware that they were seeing a changing landscape, that had been affected by both natural and human factors. Antoine Polier, the Swiss adventurer visiting Delhi in 1776, was aware that the river Yamuna had quite recently changed its course, from just below the walls of the Red Fort, to about a mile eastwards, leaving only a narrow channel separating Red Fort from Salimgarh.

It is this narrow channel flowing between the two fortifications that we see in many of the earliest sketches, such as those of Captain John Luard in the 1820s and Charles Stewart Hardinge in 1847.

“Red Fort” by Charles Stewart Hardinge

Continue reading The changing face of Delhi in travellers’ accounts – Dilli hai jiska naam IV: Swapna Liddle

RE-ORIENTING URBAN PLANNING STRATEGIES and The Master Plan of Delhi – Dilli hai jiska naam III: A.G. Krishna Menon

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades and we requested them to write for Kafila. 

This series is titled Dilli hai jiska naam and the links to the previous posts can be found at the end.

This is the third post in the series by AGK MENON

Re-orienting urban planning strategies – The Master Plan of Delhi: A.G. Krishna Menon

Introduction

Delhi is an extraordinary historic city, comparable to Rome or Istanbul in the range and significance of its extant heritage. It is now the capital of a politically and economically aspiring Republican. However, unlike Rome or Istanbul, the significance of the city’s historic legacy plays little role in determining how the contemporary city is envisaged. In fact, this legacy is elided in civic planning and politically contested.  Therefore, when in January 2013, the Government of India forwarded a dossier to UNESCO, to nominate Delhi as a World Heritage City, it was a historic turnaround because it marked a paradigm shift in how the civic authorities sought to view its future.

Until then, India had never sought to celebrate any of its remarkable historic cities for their heritage characteristics let alone conserve it. However, it had been the contention of the Delhi Chapter of the Indian Trust for Art and Cultural Heritage (INTACH), that there was a strong correlation between not valuing the cultural legacy of historic cities and the degraded conditions they had been reduced to in contemporary times. For example, the Master Plan of Delhi officially identified Shahjahanabad, the pre-eminent Mughal city built by Emperor Shahjahan in 1648, as a slum that needs to be redeveloped in the manner the bombed out cities of Europe after World War II were rebuilt. These circumstances motivated INTACH to actively advocate the need to conserve historic cities and it worked to get Delhi nominated as a World Heritage City. Continue reading RE-ORIENTING URBAN PLANNING STRATEGIES and The Master Plan of Delhi – Dilli hai jiska naam III: A.G. Krishna Menon

Basti Basna Khel Nahin Hai – Dilli hai jiska naam II: Narayani Gupta

This is the second part of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself. It was this idea that made us approach people who have engaged with the city with love and care for decades, and we requested them to write for Kafila.

This series is titled Dilli Hai Jiska Naam, and the first post in the series by Pradip Krishen can be read here.

Here is the second post, by NARAYANI GUPTA

Basti basna khel nahin: Narayani Gupta

Presented at a seminar on ‘The Right to the City’ at Indraprastha College, Delhi University, on 5 September 2019 

The strident cry of the Right to the City takes us back 50 years, to Henri Lefebvre. 50 years ago, when I was in my 20s,  parts of the world turned upside down – 1967 saw the Naxalbari peasant uprising, in 1968, Lefebvre’s book Le Droit a la ville was followed by the  protest movements of students and workers in Europe. 1969, the rhythms of Woodstock, and in India the excitement of the founding of JNU… Today we get late for appointments because of the pile-up of cars on the roads. 50 years ago it was because of the river of red flags that eddied through the streets from Ramlila Maidan to Sansad Bhavan. Government bred its ‘other’ – protest. Things fall into place when recalled from a later time, but when they happen they merely disturb the surface.

So this is a golden jubilee moment, but also a nostalgia moment, nostalgia for that stubborn sense of hope which we seem to have lost, for the battle-cries now replaced by triumphalist slogans.

The plea for a collective life and an equal access to resources – which is implied in the battle-cry ‘The Right to the City’ – has to be placed against the histories of particular countries. It is certain conjunctures that explain why something happens when it does – even the rallying-cry of the Right to the City.

Continue reading Basti Basna Khel Nahin Hai – Dilli hai jiska naam II: Narayani Gupta

The Big Bang, Black Holes and Gravitational Waves : Dr Ravi Sinha

The Relativity Story from Albert Einstein to Penrose and Hawking

The 8th lecture (in Hindi) in the Umang Library popular science series will happen this Sunday, November 8, at 5 PM IST. The series is aimed at creating awareness about science in the Hindi belt of India. This coming lecture will be on how the cosmos has been turned from being a subject of genesis myths into a playground of hard science in the course of the last one hundred years. Continue reading The Big Bang, Black Holes and Gravitational Waves : Dr Ravi Sinha

Restoring Delhi’s Central Ridge – Dilli hai jiska naam I: Pradip Krishen

We thought of a series on Delhi that does not talk only of the narrow lanes of Shahjahanabad, the Mughalia, aka Mughlai delights and the lip-smacking Chaats of Chandni Chowk or the grand ruins of the seven Delhis and the wide open spaces and broad roads, but a series that also looks at the way Delhi has evolved. We wanted to explore the logic of the city and of the forces that have shaped the idea of the city itself.  It was this idea that made us approach people who have engaged with the city with love and care for decades, and we requested them to write for Kafila. 

This series is titled, Dilli Hai Jiska Naam, and here is the first piece, by PRADIP KRISHEN

Restoring Delhi’s Central Ridge:  Pradip Krishen

(All images by Pradip Krishen)

Delhi’s Central Ridge is big — a little more than 850 hectares. That’s 8 and a half square kilometres of semi-wild forest in the heart of a totteringly large metropolis.

The Central Ridge is mostly open thorn forest but it can be quite dense in pockets. An evergreen climber called ‘heens’ (Capparis sepiaria) adds to the impression of density

It’s true the Ridge is degraded and filled with invasive trees from South America, its potholed roads are used as a rubbish dump and there are all sorts of other problems inside, but it’s still remarkable that the Central Ridge exists at all. And that it hasn’t been taken over to make multi-storeyed flats for civil servants. Or worse.

The President’s Bodyguard leases a polo ground inside the Central Ridge and does some damage by scattering rubbish from its Polo clubhouse indiscriminately on the Ridge.

I can’t say I know all of the Central Ridge. But it’s now been nearly 50 years since I first started going in there, and there’s a portion — it could be as much as 90 or 100 hectares or so — that I can claim to know really well because I walk there every day. I’m writing a journal-style book about the C Ridge — only about this parcel I’m most familiar with — and I hope to give you a sense of what it is about the C Ridge that I find not just fascinating but important from the angle of how this city is evolving and growing. Continue reading Restoring Delhi’s Central Ridge – Dilli hai jiska naam I: Pradip Krishen

साझी शहादत-साझी विरासत: वसंत राव और रजब अली को याद करना क्यों जरूरी है ?

वसंतराव और रजब अली। साभार-इंडियन एक्सप्रेस

अहमदाबाद के जमालपुर के पास स्थित वसन्त-रजब चौक कितने लोगों ने देखा है? देखा तो कइयों ने होगा, और आज की तारीख में उससे रोज गुजरते भी होंगे, मगर अंगुली पर गिनने लायक लोग मिलेंगे जिन्होंने चौराहे के इस नामकरण का इतिहास जानने की कोशिश की होगी। मुमकिन है गुजरने वाले अधिकतर ने आज के इस इकहरे वक्त़ में- जबकि मनुष्य होने के बजाय उसकी खास सामुदायिक पहचान अहम बनायी जा रही है- इस ‘विचित्र’ नामकरण को लेकर नाक भौं भी सिकोड़े होंगे।

वह जून 1946 का वक़्त था जब आज़ादी करीब थी, मगर साम्प्रदायिक ताकतों की सक्रियता में भी अचानक तेज़ी आ गयी थी और उन्हीं दिनों यह दो युवा साम्प्रदायिक ताकतों से जूझते हुए मारे गए थे। वसंत राव हेगिश्ते का जन्म 1906 में अहमदाबाद के एक मराठी परिवार में हुआ था तो रजब अली लाखानी एक खोजा मुस्लिम परिवार में कराची में पैदा हुए थे (27 जुलाई 1919) और बाद में उनका परिवार अहमदाबाद में बस गया था। हमेशा की तरह उस साल रथयात्रा निकली थी और उसी बहाने समूचे शहर का माहौल तनावपूर्ण हो चला था।

कांग्रेस सेवा दल के कार्यकर्ता रहे इन जिगरी दोस्तों ने अपने ऊपर यह जिम्मा लिया कि वह अपने-अपने समुदायों को समझाएंगे कि वह उन्मादी न बनें, इसी काम में वह जी जान से जुटे थे, छोटी बैठकें कर रहे थे, लोगों को समझा रहे थे। 1 जुलाई को एक खांड नी शेरी के पास एक उग्र भीड़ ने – जो जुनूनी बन चुकी थी – उन्हें उनके रास्ते से हटने को कहा और उनके इन्कार करने पर उन दोनों को वहीं ढेर कर दिया। Continue reading साझी शहादत-साझी विरासत: वसंत राव और रजब अली को याद करना क्यों जरूरी है ?

कोविड संक्रमण की चेन तोड़ने के लिए मलप्पुरम ने नई ज़मीन तोड़ी है

आज जब पूरे देश में धार्मिक स्थलों को खोला जा रहा है, तब बीते दिनों ‘सांप्रदायिक’ होने का इल्ज़ाम झेलने वाले केरल के मलप्पुरम ज़िले ने अपनी अलग राह चुनी है. कोरोना के बढ़ते मामलों के मद्देनज़र वहां की पांच हज़ार मस्जिदों को अनिश्चितकाल तक बंद रखने समेत कई धार्मिक स्थलों को न खोलने का फ़ैसला लिया गया है.

Minara masjid wears a deserted look on the first day of the holy fasting month of Ramzan, amid unprecedented circumstances due to the coronavirus pandemic and a nationwide lockdown, in Mumbai. PTI

लॉकडाउन के दौरान बंद एक मस्जिद. (फाइल फोटो: पीटीआई)

मलप्पुरम, केरल के एकमात्र मुस्लिम बहुल जिले, जहां उनकी आबादी 75 फीसदी है, ने एक इतिहास रचा. तय किया गया है कि जिले की 5,000 मस्जिदें अनिश्चितकाल के लिए बंद रहेंगी.

इस निर्णय के पीछे का तर्क समझने लायक है. क्योंकि राज्य में कोरोना वायरस संक्रमण के मामले बढ़ते दिख रहे हैं, इसलिए यह तय करना मुनासिब समझा गया कि उसके दरवाजे श्रद्धालुओं के लिए बंद ही रहें.

जाने-माने इस्लामिक विद्वान पनक्कड सययद सादिक अली शिहाब थंगल, जो इंडियन यूनियन मुस्लिम लीग के जिला अध्यक्ष हैं, उन्होंने इस खबर को मीडिया के एक हिस्से में साझा किया.

इस तरह जबकि बाकी मुल्क में प्रार्थनास्थल, धार्मिक स्थलों को खोला जा रहा है, मलप्पुरम ने अपनी अलग राह चुनी है.

इस बात पर जोर देना जरूरी है कि आठ मुस्लिम संप्रदायों (denomination) की उस बैठक में, जहां 9 जून के बाद प्रार्थनास्थलों को खोलने के सरकारी निर्णय पर विचार करना था, यह फैसला एकमत से लिया गया.

सभी इस बात पर सहमत थे कि उन्हें इस छूट का इस्तेमाल नहीं करना चाहिए. एक ऐसे वक्त में जबकि कोविड-19 के मामले सूबे में बढ़ रहे हों, मस्जिद कमेटियों और धार्मिक नेताओं ने यह जरूरत महसूस की कि उन्हें सतर्कता बरतनी चाहिए.

खबरें यह भी आ रही हैं कि न केवल मस्जिदें बल्कि इलाके के कई मंदिरों और चर्च ने भी उन्हें तत्काल खोलना नहीं तय किया है.

मिसाल के तौर पर, श्री कदमपुजा भगवती मंदिर जो मलप्पुरम में है तथा श्री तिरूनेल्ली मंदिर जो वायनाड में है, वह बंद रहेंगे.

नायर सर्विस सोसायटी से संबंधित मंदिर भी 30 जून तक नहीं खुलेंगे. एर्नाकुलम-अंगमाली आर्चडाओसिस ऑफ सिरो मलबार चर्च ने भी तय किया है कि उसके मातहत चर्च 30 जून तक बंद रहेंगे.

निस्संदेह इस बात को लेकर इलाके के लोगों में गहरा एहसास दिख रहा है कि राज्य ने जिन भी सावधानियों को बरतने की बात की हो, स्पेशल ऑपरेटिंग प्रोसिजर्स का ऐलान किया है, हकीकत में उन पर अमल करना नामुमकिन होगा लिहाजा कोविड-19 के समुदाय आधारित संक्रमण की संभावना बनी रहेगी.

( Read the full article here)

‘The Man Who Knew Infinity’ : Team Umang Library

Guest Post by Team Umang Library

Remembering Great Mathematician Srinivasa Ramanujan
on his hundredth death anniversary                                                                                                                                                                                                                                                                     (Watch the video on Youtube uploaded by Umang Library:
First Part: https://www.youtube.com/watch?v=Rehg3WtiBKc
Second Part: https://www.youtube.com/watch?v=y1I1NaWoajY

Srinivasa Ramanujan Facts: 40 Facts on Self-Taught Mathematical Genius

Photo Courtesy : https://factslegend.org/

It was the year 1913 when Srinivasa Ramanujan, then an ordinary clerk in Madras Port Trust, drafted letters to Prof G H Hardy, then a leading mathematician at Cambridge University, containing his mathematical theorems.

The rest as we know is history.

Continue reading ‘The Man Who Knew Infinity’ : Team Umang Library

An Open Letter to the Kerala Governor Sri Arif Mohammad Khan About Our Fight Against the Virus, But Also About Our Resistance to CAA-NRC

Dear Sir

First of all, thank you for acknowledging, even praising,the efforts of the government of Kerala and the people to protect ourselves and humanity against the threat of the corona virus. It is true that Kerala’s efforts and achievements are being lauded the world over, but those voices are never going to make any impact on the supporters of the Sangh parivar in Kerala. But your views cannot be dismissed so easily as ‘Western’ or ‘leftist’ (though they may still murmur about your Muslim name). What has really riled me in the recent past is their systematic effort at downplaying Kerala’s achievements, heaping abuse on our effort to help migrant workers, and raising baseless allegations against those who are working to mitigate the crisis. So as a historian of modern Kerala, I am writing this to offer some insights into why we have been able to do this, in the hope that you may be able to see what they will never tell you — simply because they are so sadly blinded by hate. Continue reading An Open Letter to the Kerala Governor Sri Arif Mohammad Khan About Our Fight Against the Virus, But Also About Our Resistance to CAA-NRC

Srinarayanadharmam: Raghavan Thirumulpad (Part 2)

The third chapter is about precepts applicable to all human beings;  the aacharyan speaks here on the panchadharmas and the panchashuddhi. The panchadharmas are : nonviolence, truth, non-covetousness, the rejection of intoxicants,  and the avoidance of licentiousness. Dharmoyam Saarvavarnikah, say the earlier aachaaryas, mentioning nonviolence, truth, non-covetousness, celibacy, and frugality as the five crucial dharmas. The Yogasastra mentions these five as the panchayamas. Continue reading Srinarayanadharmam: Raghavan Thirumulpad (Part 2)

Lessons from Ambedkar and Gandhi to take forward

They represented two foundational but antagonistic visions of “what we as a society, what we as a state should embody”

( Review of ‘Radical Equality: Ambedkar, Gandhi, and The Risk of Democracy’ By Aishwary Kumar Navayana, Rs 599)

The book, Radical Equality: Ambedkar, Gandhi, and the Risk of Democracy by Aishwary Kumar, takes forward the conversation around the two “most formidable non-Western thinkers of the twentieth century, whose visions of moral and political life have left the deepest imprints”.

In the early 1990s D.R. Nagaraj published The Flaming Feet, a compilation of his essays in which he admired both Gandhi and Ambedkar. Coming close on the heels of the phenomenon of Dalit assertion, it argued that “there is a compelling necessity to achieve a synthesis of the two”. But that has not been the only attempt to examine how the ideas of these two leaders interacted, challenged each other, and how they extended or revisited the meanings of different concepts.

The book, Radical Equality: Ambedkar, Gandhi, and the Risk of Democracy by Aishwary Kumar, takes forward the conversation around the two “most formidable non-Western thinkers of the twentieth century, whose visions of moral and political life have left the deepest imprints”. For the author they “exemplified two incommensurable ways of forging a relationship between sovereignty and justice, force and disobedience”, or represented two foundational but antagonistic visions of “what we as a society, what we as a state should embody”.

Focusing mainly on Hind Swaraj — a monograph written by Gandhi on a ship to South Africa from London (1909) — and Annihilation of Caste, which happens to be the undelivered speech by Dr Ambedkar when he was invited by the Jat Pat Todak Mandal, Lahore (1936) — the organization rescinded the invite when it came across the ‘radical’ proposals he had put forward in the draft — this around 400-page book discerns “an insurrectionary element at the limit of politics” in the works of these two stalwarts. It is “an insurrection that sought to extract the political itself — and the social question — from the doctrinal prescriptions and certitude of its European past”

( Read the full text here : https://www.telegraphindia.com/culture/books/lessons-from-ambedkar-and-gandhi-to-take-forward/cid/1747042?ref=books_culture-books-page)

The Triumph of Streevaashi! Women break the wall of caste at Sabarimala

Out of the dark, seemingly never-ending night, a streak of light! Two women of menstruating ages, Bindu and Kanakdurga, finally entered Sabarimala, breaking the concerted walls built against them by brahmanical-Hindutva male authorities on the right and left. Continue reading The Triumph of Streevaashi! Women break the wall of caste at Sabarimala

Keep Calm and Carry On: Dealing with Patriarchal Carpet Bombing in Kerala

For all women in India, what is happening in Kerala should be an eye-opener.  This is how Indian society rewards you for reaching the top, aspiring seriously to be on top, and actually asking questions to authorities about why they keep drawing on women’s energies and resources while simultaneously undermining the very ground on which they survive. In Kerala, two things are going on: there is on the one hand, a vicious gang led by Rahul Easwar which is openly threatening women who would dare to enter Sabarimala with the worst kinds of violence, on the other, the horrid misogyny of the press was revealed at the press conference held by the Women in Cinema Collective who expressed their deep disquiet at the way in which the organization of cinema actors, AMMA, and its president Mohanlal, were eager to protect oppressors and ignore survivors. Also, even male intellectuals who have been very supportive of feminist and gender justices causes have been named in the MeToo campaign among journalists in Kerala.

Kerala is a society where, in the past twenty years, we have seen women come up everywhere — in journalism, literature, academics, cinema, architecture, engineering, art, management, sports, trade unionism, activism. Women in Kerala have been the force of social democratizing as evident from the struggles ranging from the Munnar tea garden workers’ struggle to the brave nuns protesting against sexual violence. For sure, a very large number of women in Kerala are ultra-conservative, and that is apparent both in their presence in the muck that Easwar and his gang are raking up in Kerala, as well as in the shameless way in which some of them were emboldened to hurl caste insults at the Chief Minister of Kerala. This is therefore reminiscent not so much of the Battle of Britain in World War II, but for the Battle of Stalingrad — which was heavily bombed by the Luftwaffe, even as there was hand-to-hand combat on the ground for control of the tiniest slices of the city, and where the city residents were often subject to the terrors of both the Nazi and the Soviet sides alike.

If you want to see male hubris overflowing, please take a look at this video, of https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FWomeninCinemaCollectiveOfficial%2Fvideos%2F249328929064857%2F&show_text=0&width=267“>the press conference held by the Women in Cinema collective. All I can tell us all is, Keep Calm and Carry on. After all, unlike in the World War II, the ammunition of these creeps need not hurt us at all; it can make it only more powerful.