Homai Vyarawalla passed away at the age of 98 yesterday. We reproduce here the curator’s note written by cinematographer SABEENA GADIHOKE, biographer and friend of the legend, on the occasion of her staging a retrospective of Vyarawalla’s work at the National Gallery of Modern Art in 2011.

Having worked for thirty three years of her life Homai Vyarawalla gave it all up one day. Why did she give up photography?

Often meant for a fleeting glimpse in the newspaper, press photographs become visual archives of the future. Homai Vyarawalla’s photographs chronicling the defining moments of India’s Independence have acquired an iconic status and are now integral to a Nationalist version of history. According to this version, some people led and others followed. As important people dominated photographs, ordinary citizens or `the masses’ frequently found themselves relegated to the margins. Sometimes, they would be `cropped’ from the frame to accommodate more prominent figures.

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