Bharat Mata’s daughter? But the Hindutvavadi motherland produces only sons – Hindu, savarna sons – to protect their mother’s ever fragile honour.
Let us begin these reflections with a moment from Nisha Pahuja’s disturbing film the World Before Her, which tracks two young women – Ruhi, a beauty pageant contestant and Prachi, a trainer with the Durga Vahini, women’s wing of the Vishwa Hindu Parishad.
While Ruhi and her fellow participants emerge as conventional and pallid, Prachi is fierce and questioning, independent minded. But towards the end of the film, you realize that for both women (and not for Ruhi alone), this period of training was only a small window that gave them a brief glimpse of broader horizons. It was only a brief moment of excitement and hope, and what seemed like freedom, before real life – the real lives of real women – closed in on them.
Throughout the film, Prachi has been telling the film-maker that she will never get married, she will live her life as a Hindutva activist. She emphatically rejects the ordinary life of a wife and mother. But towards the end, her father declares quite explicitly that this is out of the question. She can never be a full time activist. Of course she must get married. She has a womb, do men have wombs? Her responsibility then, is to bring up children. Initially in this sequence, Prachi argues against him vehemently, verges on the insolent, but gradually she falls silent. Her expression, still rebellious, but devastated, resigned, signals to us her recognition that the daughter of the Hindu nation is only in training to be a mother. That is the highest ambition she can have.
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