Tradition-modernity. Rural-urban. Hope-despair. Consumption-frugality. Experience-theory.

Doesn’t it sometimes seem like we may end up spending our entire lives pendulum-ing between these poles? Dipping into her Uttaranchal childhood, first-time director Bela Negi negotiates these heavy-duty extremes in the most delightfully humble way, only to emerge with an incandescent little gem of a film. Daayen ya Baayen is the story of an utterly inconsequential human being – a small blip on the grand radar of things, a man named Ramesh Majhila who returns from Mumbai to his village in the Uttaranchal hills. Continue reading Daayen Ya Baayen →