NEERJA DASANI on the Kabir Kala Manch, their life, art and the constant hurdles set before them by the State. Previously published in Literary Review section of The Hindu on January 5, 2014.
The art of irony is something that the members of Kabir Kala Manch (KKM), who identify themselves not as a cultural troupe but as a political movement, are well-versed in. This could be because life for them has been a series of curious contradictions. Emerging from mohallas and bastis, their voices reverberated through the corridors of power, disturbing the slumber of those within. Finding democracy’s din too unsettling, its elected guardians branded KKM as anti-national. The resultant time spent either in jail or underground, strengthened their resolve instead of silencing them into submission.
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