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Culture, Feminism

Sanjay Leela Bhansali’s “Bajirao-Mastani” – A Feminist Analysis of Mastani’s Religion and Caste: Deepra Dandekar

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Guest post by DEEPRA DANDEKAR

“Bajirao-Mastani”, a film made by Sanjay Leela Bhansali, released in 2015, has been controversial for all the wrong and Brahminical reasons – the Peshwa’s descendants raising their hackles about the veracity of events surrounding Kashibai’s life and conservative concerns over vulgarity and the attack on the the dignity of a pure Brahmin family. My concerns in this essay are however different. This essay is a feminist analysis about Mastani and about how persons of mixed Muslim parentage are culturally constructed.

What Bhansali perhaps never questioned for a minute, while making “Bajirao-Mastani” was the conundrum of Mastani’s caste and religion, when he conveniently made her Muslim, while erasing her Rajput identity in Hindu India. But he did more. While making her Muslim, Bhansali moreover produces a paradigm of “good” Muslim-ness that can be deemed morally “tolerable” by Brahmin Hindus, when it protects Hindu women from “bad” Muslims, who can then be legitimately killed. Bhansali produces this as a historical saga that integrates “good” Muslims as secondary adjuncts (second wives) in status to primary, formal, upper caste and Hindu family relationships in exchange for protection.   Continue reading Sanjay Leela Bhansali’s “Bajirao-Mastani” – A Feminist Analysis of Mastani’s Religion and Caste: Deepra Dandekar →

Culture

The ‘Pinga’ Controversy, Caste and Subversion: Sneha Gole

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Guest Post by SNEHA GOLE

Recently the song ‘Pinga’, from Sanjay Bhansali’s ‘Bajirao Mastani’ went online on YouTube and the song has given rise to a tide of criticism,  mostly from self-professed ‘Puneris’ and ‘Maharashtrians’. Much of the criticism is aimed at what is perceived as the lack of authenticity of the song – that it is unlikely that Kashibai and Mastani would dance together, that the costumes worn by the actresses in the song are historically inappropriate, that a queen would not wear such revealing clothes and dance like an ‘item girl’ along with a ‘courtesan’ etc. While I am in no ways arguing that the song is historically accurate and I can understand the discomfort of those arguing against the song, the tone of much of that writing is troubling to say the least.

While accusing the director of stereotyping, much of this writing is working from an assumption that equates Maharashtrian to Bramhin. One of the posts even talks about how “no Maharashtrian lady would be caught bobbing her head like that” (emphasis mine). Which Maharashtrian women are we talking about? There is also a distinct racist tinge to the criticisms, with a few posts commenting on Priyanka Chopra’s ‘dusky’ skin as unsuitable for Kashibai (with her fair, delicate, ‘Chitpavan’ looks)! Continue reading The ‘Pinga’ Controversy, Caste and Subversion: Sneha Gole →