Guest Post by SIVAKUMAR RADHAKRISHNAN

The Chhota Bheem television series, highly popular among the nation’s children and also among many adults, is telecast daily in many Indian languages. The program is a long running show of many years and has its viewership in millions. Its popularity is evident from the fact that other children’s programs and advertisements are churned out from it.

The series evokes interest mainly by its plot, which is almost similar for every episode.  Also the plot is a simple one, where a cute city-state is ruled by a king, with his daughter, a princess of tender years. The king resides in a citadel atop a pretty hill.  The citizens are generally good natured.  A group of kids is shown playing in the countryside, of which the most smart and attractive is Chhota Bheem. He is assisted by a few other kids and a little talking monkey. Suddenly, evil people with sinister designs will start disturbing the peaceful city state of Dholakpur. The king will be found helpless in dealing them. At the right juncture, will enter the little Chhota Bheem and with his might, he will clear the evil elements from Dholakpur. Thus, Chhota Bheem saves the kingdom and the king at the right time. The citizens will celebrate him and continue to be happy thereafter. What could possibly be wrong with such a simple, evil-defeating, goodness-forging narrative?

Continue reading Chhota Bheem – Anachronisms, Prejudice & Xenophobia: Sivakumar Radhakrishnan →