Guest post by MOHD. SABIH AHMED

Of SubTerrains and Seismology: Notes on the Contemporaneous in India [1]

If the starting point of an enquiry is to investigate into the larger ambit of cultural production in which a notional unity of ‘contemporary art’ is one formation, the study of alternative systems/networks/formations would not suffice merely as mapping them as ‘alternative art’ in the same field. Instead, the demand would be to trace the contexts that give rise to a necessity for peculiar and disparate kinds of alternatives, and how certain cases instigate the field, maybe even risk rearranging the very conceptual and pragmatic constituents of that field.

This paper is a series of ponderings, questions, and a hesitant proposition regarding the above-mentioned, as much as it is an exposition on the state of affairs of that notional unity that is ‘Contemporary Art in India’. Continue reading Of SubTerrains and Seismology: Notes on the Contemporaneous in India →