Guest post by ARPITA DAS

In these times of celebrating ‘small’ films, ‘new’ unheard-of young directors, little India, and non-filmi characterizations, it seems to have become mandatory for critics to praise every film claiming to build its  narrative around a so-called non-mainstream idea.  If this were not so, two ‘small’, ‘different’ films which created a lot of hype recently, would not have gathered as much post-release steam.  I am talking about No One Killed Jessica and Manu weds Tanu.  Both have been promoted and described in reviews as bold films, with star heroines showing a no-holds-barred temperament and verbal acumen, and this being the central focal point of their ‘different-ness’, both have made that oft-repeated Bollywood claim, ‘pikchar hatke hai’. If the films are to be believed, this new Indian woman can be instantly recognized by one or more of the following traits: smoking nicotine or other substances, mouthing expletives both in Hindi and English with ease, being sexually promiscuous or even vaguely ambivalent, manipulating people close to them without giving a thought to causing hurt, and a sound lack of any sense of ethics in the professional sphere or personal turf.

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