Guest post by BRINDA BOSE and PRASANTA CHAKRAVARTY

Haruki Murakami’s much-hyped IQ84 that released worldwide in translation a couple of months ago is (Our) Big Fat Japanese Novel, three volumes in one. Closer home, Amitav Ghosh is in the process of completing the definitive South Asian Maritime Novel in trilogy. Young, prize-winning, promising writers from around the world – New Zealand, Malaysia, Bangladesh – are pledged to regale us with long large narratives that will tell us everything we ever wanted to know about their cultures, societies, lives – in trilogies and quartets. Intriguing? Indeed. Coincidental? Perhaps not.

Even as new literary canons are continually in consolidation, interrogation and re-formation, Franco Moretti – acclaimed, revered, preeminent theorist of the Novel and World Literature (which enjoy an odd synecdochic relationship) – has systematically constructed a blueprint for ways to appreciate the worth of such a grand, if loose, canon as World Literature by a particular reading technique he calls ‘distance-reading’.

Continue reading Le Grande Triptych Humanism: Brinda Bose and Prasanta Chakravarty →