The Hindu reports that a university in Pune has cancelled a planned screening of Sanjay Kak’s 2007 documentary film, Jashn-e-Azadi: How We Celebrate Freedom.
Speaking to The Hindu over telephone, Symbiosis College of Arts and Commerce principal Hrishikesh Soman stated that the ABVP had approached him on Friday, and that the college agreed to cancel the film screening “considering their [ABVP’s] emotions and feelings.” “I told them that the seminar is entirely academic, apolitical and non-religious. But the film has met with criticism from all corners. So we have decided to avoid unnecessary controversies and cancel the screening,” Mr. Soman said. “If people have a very strong reason to protest the film, then we should be tolerant enough,” he stated. [Link]
Shameful as this censorship is, it is a compliment to Sanjay Kak’s fabulous documentary film that the goons of the Akhil Bhartiya Vidyarthi Parishad don’t want people in Pune to see it. The truth about Kashmir must not be told. This is also an example of why the BJP props up its ‘minority morcha’ to oppose Salman Rushdie visiting Jaipur: they want the Congress and the ‘secularists’ and the Muslims to be seen as censor-happy so that they can get away with their own censorship.
Freedom of speech and expression in India, RIP.
It’s 15th August, India’s Independence day, and the Indian flag ritually goes up at Lal Chowk in the heart of Srinagar, Kashmir. The normally bustling square is eerily empty– a handful of soldiers on parade, some more guarding them, and except for the attendant media crews, no Kashmiris.
For more than a decade, such sullen acts of protest have marked 15th August in Kashmir, and this is the point from where Jashn-e-Azadi begins to explore the many meanings of Freedom–of Azadi–in Kashmir.
In India, the real contours of the conflict in Kashmir are invariably buried under the facile depiction of an innocent population, trapped between the Terrorist’s Gun and the Army’s Boot. But after 18 years of a bloody armed struggle, after 60,000 civilians dead (and almost 7,000 enforced disappearances), what really is contained in the sentiment for Azadi–for freedom?
Amidst the everyday violence and ever-present fear in Kashmir, there are no easy answers to such questions. Where truth has been an early victim, all language–speech, poetry, even cinema–becomes inadequate to describe what we know and feel here. So we reshape our curiousity, and point ourselves at what we can see, what we are allowed to see. The film then combines several forms and modes of expression to evoke the past as well as unravel the present:
We are witness to an ageing father in the Martyr’s Graveyard; we are with a group of men as they survey the dead in the mountain villages of Bandipora; we sit quietly in the Out Patients Ward of the Govt Psychiatric Hospital in Srinagar.
But we look elsewhere too, in the satirical farce of Bhand folk performers as they play in a village square; in the tense undercurrents of an Army Sadhbhavna (Goodwill) camp in north Kashmir; and in the images conjured up by the work of contemporary Kashmiri poets.
Shot and edited between August 2004-2006 Jashn-e-Azadi engages us with the idea of Azadi in Kashmir.
In 2007, as India celebrates it’s 60th anniversary of Independence, this is also a conversation about Freedom in India.
138 mins / Digital Video
Kashmiri/Urdu/English (English subtitles)
2007 (under production)
- TN Ninan: The Right to Offend