Guest post by DIPANJALI DEKA
I recently finished watching Sursamalaya’s “Folk Stories” on Youtube, a documentary series made during the lockdown.
“Folk Stories” depicts the art and life of folk artists from many lesser known genres of Assam. It has released one season as of now and is amply promising, for many reasons. One of them is the accessibility offered, in short crisp episodes, to the social and cultural landscape of Assam beyond the genres of Bihu, Borgeet and Sattriya popularly known to the mainstream.
In the first episode, we meet Mehu Bora from Golaghat who builds traditional instruments like tokari (stringed instrument), dotara (stringed instrument), bahi (flute), pepa (hornpipe) etc.
Sur Samalaya Resource Centre for Arts was established in 1990 by renowned folk artist Dijen Gogoi. What began with a small workshop on instrument-making, later took off to train many local youth in producing almost 100 indigenous musical instruments belonging to various communities of North East India. The Research and Documentation cell of Sursamalaya looks into research, publication and documentation on indigenous cultures, under the ambit of which the series “Folk Stories” has come into fruition. Continue reading Sursamalaya’s Documentary Series “Folk Stories” – Assam Beyond Bihu, Borgeet and Sattriya: Dipanjali Deka