Guest Post by SRIMATI BASU

The Birbhum rape has thrown up images of the ‘kangaroo court,’ evoking the savagery of tribal subjects — but rather than feeling complacent at the exception and difference of this location, we might concentrate on the common modes of gendered control achieved by the rapes.

Jyoti Singh’s rape and murder in a Delhi bus in December 2012 seemed to evoke a sense of horror at the ultimate in human depravity. But in the time since, no week seems to go by without yet another gruesome gang rape, almost a one-upping of sadist violence across these uncoordinated episodes. Gang rapes have come to appear as the spectacular trendy crime of the moment. They underline the lethal consequences of women’s daily cultural transgressions: going to school, going to a night show movie, going to work, having a drink, being in politics. Even though we know they are miniscule in the corpus of sexual violence, which overwhelmingly happens in private and domestic spaces and among people who know each other, they have irritatingly given the impression that public spaces have become more unsafe, and further strengthened restrictions by families and communities on women’s mobility and choices.

As if the New Year’s report that a Kolkata schoolgirl was burned alive after being gang raped twice (the burning and second rape allegedly being retaliations to her police complaint) was not ghastly enough, this week we are talking about another woman in West Bengal (Birbhum), gang raped by diktat of the village council, on a public platform erected for optimal viewing. Continue reading Theatres Of Rape: Srimati Basu →