The televised coronation (or should I say Rajyabhishek) of Narendrabhai Damodardas Modi has featured a supremely photogenic set (the Dasashwamedh Ghat in Benaras), a chorus line of calisthenic priests lining the riverfront of the Ganga with blazing torches, a script (being written, even as the epic is being canned, in every television studio and editorial office) talented producers and art directors, an army of happy-clappy extras, and even its own battalion of masked stunt doubles.

Like any good bollywood blockbuster, it cannot but be a homage to an extant cinematic classic. S. Prasannarajan, editor of the Open Magazine has even told us what that classic is. On the cover of Open, beneath a pensive, tight lipped and determined Narendrabhai looking out at the magazine’s reader through a shower of rose petals and rimless Bulgari glasses, four words spell out in bold capitals the film’s name – ‘TRIUMPH OF THE WILL’. Dejavu, anyone?

Continue reading The Triumph of the Will(ie): Prasannarajan Anoints Modi in the Open →