It is no  coincidence that Salman Rushdie who remains the poster child of the censorship debate in India begins his celebrated Midnight’s Children with the twin image of the birth of a child and that of a nation. The rest of the novel traces the intertwined stories of the child’s growth with the political history of independent India. But if one were to extend this allegory taking into account the kind of public sphere that seems to exist in India 65 years after independence there seems to be something amiss about this metaphor of birth and subsequent growth into maturity. A strange malaise pervades the public sphere in India today, where it seems almost as if we have turned the natural cycle of growth around and the children of midnight appears to suffer from the malady of the protagonist in David Fincher’s film “The Curious case of Benjamin Button” where a man is born a mature adult but ages backwards and slowly slides into infantile regression. If we were to consider the unreasonable response to Ashis Nandy’s talk at the Jaipur literary festival as one in a long continuum of such cases where individuals are hounded for hurting sentiments of communities, the Indian public sphere sadly appears as a weak and sickly child suffering from irony deficiency. Continue reading A Guide to Infantalising and Trivialising the Public sphere →