A new research journal in Hindi, Pratiman – Samay, Samaj, Sanskriti, was launched on 28 February 2013, at the Centre for the Study of Developing Societies, Delhi. The occasion was historic in many ways. Given the long and troubled history of the great language divide between Hindi and Urdu and the lost traditions of Hindustani, the fact that the launch was marked by a public lecture by noted Urdu scholar-poet Shamsur Rahman Faruqi cannot but be anything but historic. There is a certain impertinence and perhaps even insolence, in the move to leap across that history of over a century and a quarter, in complete disregard of the custodians of purity on both sides, in the insistence that language is not what the custodians make of it but what lives in the world of creativity and exchange.

It was only befitting of this occasion that Faruqi chose to speak on “Urdu Adabi Ravayat ki Sachchi Triveni.” In what turned out to be a remarkable and breathtaking tour de force, Faruqi turned his scholarly apparatus to the task of dissecting the Urdu poetic and aesthetic tradition in a manner that revealed its three currents (the ‘triveni’) – namely, Arabi, Persian and Sanskrit.Through the metaphor of the Triveni at Allahabad, where the Ganga and Yamuna meet the third river Saraswati, which is invisible but nonetheless ‘present’, Faruqi too perhaps wanted to stress the significance of the third but invisible current of Sanskrit poetics.

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