Lagaan was a groundbreaking film, but a Bollywood film nonetheless. My favorite song-dance sequence is the one where the villagers, well Gauri and Bhuvan and friends, celebrate Krishna’s birthday. In the song, the girl complains that Radha is anxious about Krishna’s philandering ways and the boy replies that Radha should be understanding because there’s no one else in Krishna’s heart but Radha.
When the meaning of the song is explained to her, Elizabeth asks Gauri: Is Radha Krishna’s wife?
Oh no, Krishna’s wife is Rukmini!
Of course Radha-Krishna are anything but married. Imagine the shock the Victorian girl would have felt upon realizing that the villagers were celebrating an extra-marital affair with such fanfare.
It is not just that Bollywood village in the high noon of Raj. Gita Govinda and other songs celebrating Radha-Krishna are sung in every modern Indian language. And not just in India. Songs on the theme were thriving in an unexpected place, in an unexpected time. Among Bangladeshi youth, in the early years of this century, when the country seemed to increasingly Islamicising. Partly influenced by the music coming out of the diaspora in Londonistan, songs like this one, celebrating the union of Radha-Krishna in the Nikunja Temple became massive hits.
Over the fold, let me note a few examples of Bangla rock – and let’s not be pedantic here, I’ll use rock as a shorthand for western-influenced urban music, including pop, reggae, hip hop and other genres.