Guest Post by PRABHAT KUMAR

Commenting on a Hindi film released a month ago is a difficult enterprise, but this ‘delayed’ review of PK highlights what the film critics so far have ignored. Through intelligent crafting of its narrator-figure and its satirical narrative, I argue, this astoundingly successful Hindi film questions the ordinary and banal of Indian public life. The political vision behind PK’s satirical attack is old but relevant: Nehruvian.

Breaking the grammar of normalcy, Pee Ke!

“Oye Pee Ke hai kya?” (Are you drunk?), is the dismissive riposte that PK, protagonist-narrator, of the film receives for questions he asks. For, the questions he asks are considered ‘abnormal’. But he is persistent with his ‘odd’ queries and prying gaze, like a drunken man, unmindful of the wrath he may invite from the sober and normal beings. He is tireless and gawking in his ‘weird’ interrogations, like a curious child, unaware of the risk of irreverence to mature beings. But, why does he ask such ‘strange’ questions? What makes his questions ‘unheard-of’ and his snooping eyes ‘clumsy’ in normal everyday life? Why is his ‘drunken-childish’ probing inadvertently insistent to confront the normalcy of mature world? The answer lies in the carefully crafted lead character and the political subtext that inform PK. Continue reading PK, satire, ramzadas: Prabhat Kumar →