Tag Archives: Delhi International Arts Festival

Boycott Zionazi Apartheid at Delhi International Arts Festival!

[Posted below is a statement by artistes, writers and the Indian Campaign for the Academic and Cultural Boycott of Israel. The statement is self-explanatory. However, as we shall be explaining in a series of posts on Kafila soon, Zionism in Israel has perfected the most hated techniques of their own twentieth century tormentors, the Nazis, against the people of Palestine. Worse still, it has given these techniques a veneer of ‘normalcy’ – and every ‘cultural exchange’ with Israel only helps further normalize this most despicable form of colonial occupation.  ‘Settlements’, in this game of occupation, become the mode of annexing more and more of the Palestinian territory through settling of civilian Jewish populations in what still remains of Palestinian areas. – AN]

Call to boycott The Cameri Theatre at the Delhi International Arts Festival 2012

The organizers of the Delhi International Arts Festival (DIAF) — the Prasiddha Foundation, the Hindustan Times and the Indian Council of Cultural Relations (ICCR) — have invited The Cameri Theatre from Israel to perform at Siri Fort on November 4th as part of the Festival’s celebration of “the spirit of Delhi”.

The Cameri Theatre serves as an official propaganda tool for the State of Israel — a state that occupies Palestinian lands and practises apartheid policies on the Palestinian people. The Cameri theatre is complicit in the Israeli Occupation of Palestine because it chooses to perform in the illegal settlement of Ariel. Ariel is one of the largest settlements in the occupied West Bank, located on expropriated agricultural Palestinian land. The construction of Israeli settlements on occupied Palestinian land violates international law, and amounts to a war crime.

The apartheid wall with watch tower - photo taken during a visit in September
The apartheid wall with watch tower – (photo AN/NM) taken in September

Illegal Ariel contaminates Palestinian water and agricultural lands. Illegal Ariel is surrounded by walls and fences, and closely guarded by soldiers and armed security personnel. A theatrical performance in this illegal settlement is, by definition, a performance to an exclusively Israeli audience. Palestinians living even in the nearest village are physically excluded from attending. By performing in such circumstances, the Cameri profits from and legitimizes Israel’s illegal colonization policies, and becomes an accomplice to these crimes.

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