In his opening passage of the Eighteenth Brumaire of Louis Bonaparte, Marx attributed to Hegel (somewhat mistakenly) the idea “that all great world-historic facts and personages appear, so to speak, twice” and added sardonically that Hegel forgot to add: “First time as tragedy, second time as farce.” He went on to illustrate his comment thus: “Caussidiere for Danton, Louis Blanc for Robespierre, the Montagne of 1848 to 1851[66] for the Montagne of 1793 to 1795, the nephew for the uncle. And the same caricature occurs in the circumstances of the second edition of the Eighteenth Brumaire.”

Marx’s point was simple but profound. The tradition of the dead generations, he claimed, weighs like a nightmare on the brains of the living: “Just as they [revolutionaries, ‘men’] seem to be occupied with revolutionizing themselves and things, creating something that did not exist before, precisely in such epochs of revolutionary crisis they anxiously conjure up the spirits of the past to their service, borrowing from them names, battle slogans, and costumes in order to present this new scene in world history in time-honored disguise and borrowed language. Thus Luther put on the mask of the Apostle Paul, the Revolution of 1789-1814 draped itself alternately in the guise of the Roman Republic and the Roman Empire, and the Revolution of 1848 knew nothing better to do than to parody, now 1789, now the revolutionary tradition of 1793-95.”

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