These are guest posts by Akash Bhattacharya and Arif Hayat Nairang

The film Muzaffarnagar Baaqi Hai has been in the news recently, and not always for the right reasons, having attracted disruptive and abusive protest at some screenings. Following a day of counter-protest in which the film was screened all over the country, a friend teaching in a Delhi University college suggested screening it in her college, only to be told by the student representative that it would “cause trouble” (“bawwal mach jayega ma’am!!”). She asked what that meant and if he had seen the film, and he simply said, “nahin, bhaiyya logon ne kaha hai ki woh film bahut buri hai” (No, but our elder brothers have said it’s a bad film). 

In an atmosphere where political self-censoring comes as easily to the current generation of students as scouring the net for “blocked content” we present below two readings of the reception of the film, the first ruminating on whether the film addresses the complexities of communal mobilisation adequately; and the second inquiring in the context of social media and particularly Facebook, what constitutes the ‘liking’ of an image or idea. The idea of posting these comments is as much to give space to these arguments as it is to make a larger point that the ‘sickular left’ voices that are presumably behind the film love discussion, critique and disagreement. That to my mind is the way forward, not pre-empting the always-already hurt sentiments of the bhaiyya log whosoever they may be.

Continue reading Muzaffarnagar Baaqi Hai – Critical Readings Online and Offline: Akash Bhattacharya and Arif Hayat Nairang →