Ghya Chang Fou is not a Chinese or East Asian word – it is the name of this new dark Bengali satirical film that had its world premiere this September (2018), at the Transart Communication Festival, Nove Zamky, Slovakia. Below is the official trailer of the film, followed by my take on it – better not read as a review.
The quirky world of Ghya Chang Fou (Joyraj Bhattacharjee, 2017) is best seen and understood as a dream. For, a dream never really adheres to the conventions of linear realistic narrative, and characteristically, scrambles up time and space. Everything makes perfect sense while you are seeing it but do try interpreting your dreams through realist conventions, especially if you are a believer in any form of realism.
To me, the most memorable scene in Dev D is the one where Paro takes a mattress from home and ties it to her cycle. When she reaches the edge of the field, she abandons the cycle, lifts the mattress on her shoulder and marches to the clearing where she lays it down and waits for her lover. There are no words spoken and the camera holds her face close. Her expression is one of intense seriousness. You can see her desire is a field force of intensity that fuels every step. She is determined to see it through, to let that desire take over herself completely; not surrender to it but to let it explode out of her. You know that when she meets Dev, the sex would be passionate and powerful. And yet, in the south Delhi multiplex where I was watching the film, most of the audience burst into rapacious laughter. The women smiled embarrassedly at each other. Which made me wonder, why is female desire a laughing matter? Continue reading When women ask for it: Veena Venugopal→
Topicality is a homage one pays to the short-term memory that the new media both triggers and complains against in its customers. In the long-term of course, where trend is all important, the topical is only a category of the banal. But it is under the shelter of such a necessary topicality – the topical is always necessary – that I hope to sneak in a scandal.
Everyone is talking about the queer pride marches that are going to happen in four cities in India at the end of this month. Most liberal reportage is obviously supportive, if not triumphant. For these cities themselves, it is seen as a step into a liberal urban culture which tolerates, even enjoys difference. All the talk about the ‘gay community’ or ‘lgbt community’ that the Indian media – and the activists – have been dabbling in for at least a decade now, seems to be reaching its logical climax: the community is expressing itself. Every city seems to have its own pet lgbt community or at least aspires to.
It seems the I & B ministry doesn’t like chocolate. Specifically it doesn’t like women nibbling the posterior of a chocolate covered man. The new ‘Dark Temptations’ Axe deodorant ad has been recently banned by the ministry for being indecent, vulgar and suggestive and thus violating Rule 7 (8) of the Advertising Code prescribed under the Cable Television Act, which says, ” Indecent, vulgar, suggestive, repulsive or offensive themes or treatment shall be avoided in all advertisements.”
Personally I can take chocolate or leave it….
“Indecent”, “vulgar”, “repulsive” and “offensive” I understand as ideas, at least notionally. It’s the “suggestive” I don’t get.