Just when Shantuben held her meditative poise at a Vipassana camp at Igatpuri on the morning of January 26, 2001, her dream turned to rubble back home in Bhuj. When she reached home, her labour of love of the last 5 years was gone, razed to the ground. It all had to start afresh. Continue reading Few Hearts to Live for→
The historical division of society in South Asia on caste lines is now an acknowledged sociological, political and economic fact. However, caste as a literary or social discourse does not, for several reasons, form a part of the predominantly Muslim culture of Urdu. Nor has there been much academic exploration of the role caste plays in the life of South Asian Muslim communities as against others. As far as the Urdu literary writing is concerned, it has traditionally focused exclusively on the lives and concerns of conquerors, their cohorts and their descendants, who typically prided themselves on their real or perceived foreign origins. Even after modern, socially committed writing began in Urdu around the 1930s, caste as a variable for social exploration was largely ignored in favour of economic class. Continue reading Caste in Urdu Prose Literature: Ajmal Kamal→
Whenever I begin preparing for a new performance words sit heavy in front of me as boulders. Alien, unknown boulders. I look up and I see them littered till wherever my eyes can see. I do not know these words. I did not create them. I do not know their context. I do not know what all they hide within. But I have to deal with them.
Dastangoi performed by Mahmood Farooqui and Danish Husain as part of Justice on Trial for the Free Binayak Sen Campaign, at the Alliance Francaise de Delhi on 6 April 2011. Video credit: Nicky Chandam.