Guest post by PRATIKSHA BAXI
Delhi has tolerated intolerable forms of sexual violence on women from all backgrounds in public spaces for decades. It is a public secret that women are targetted in streets, neighbourhoods, transport and workplaces routinely. There have been countless campaigns and appeals to all agencies concerned to think of safety of women as an issue of governance, planning and prevention. However, prevention of sexual violence is not something, which features in the planning and administration of the city. It is not seen as an issue for governance that extinguishes the social, economic, and political rights of all women.
It is a public secret that rape of women in moving vehicles is popularly seen as a sport. The sexualisation of women’s bodies accompanies the projection of cars as objects of danger and adventure. Private buses now participate in this sexualisation of moving vehicles as a site of enacting pornographic violence. In this sense, safety is not seen as a commodity that can be bought, purchased or exchanged. Men consume images of a city tolerant of intolerable violence. City planners enable rapists to execute a rape schedule. Streetlights do not work. Pavements and hoarding obstruct flight. Techniques of surveillance and policing target women’s behaviour, movement, and clothing, rather than policing what men do. The city belongs to heterosexist men after all. Continue reading Rape Cultures in India: Pratiksha Baxi
On Sunday evening, November 4th, about 60 friends of Palestine — theatre persons, writers, artists, film makers, academics, students and activists — gathered outside Delhi’s Siri Fort auditorium, the venue for the Israeli state-sponsored performance by The Cameri Theatre. Their form of protest was an unusual one. All of them wore T shirts which said, in bold black letters on white, No to Israeli Apartheid. There were no slogans or placards. Instead, they stood around the entrance, distributing leaflets and talking to theatre goers about the boycott. A few theatre goers actually responded and did not go in. A couple even joined the protest. One woman, who took a T shirt to wear inside, found a different form of discrimination being practiced in the auditorium; the Israeli theatre goers were let in, but the Indians had to wait. She read the leaflet in her hand, came out to join the protestors. 
Satyamev Jayate, the popular Aamir Khan-helmed TV show, aired an episode in May this year that praised northeast India [an unfortunate “directional category” (Barbora) that homogenizes a complex, polyglot region] for its virtual absence of dowry-related crimes and its general “liberalism” on gender issues. Subsequently, one saw a virtual deluge of “Proud to be from the northeast”- type of messages on social networking sites such as Facebook. June and July, though, were cruel and dispiriting months that belied such declarations of identitarian pride, especially for people from Assam. 
KAFILA - COLLECTIVE EXPLORATIONS SINCE 2006 