At last, the real anxieties lurking behind what has come to be called the “Ambedkar cartoon” controversy are out in the open. It is hideously clear by now that MPs “uniting across parties” are acting as one only to protect themselves from public scrutiny, debate and criticism. It turns out, as some of us suspected all along, that the “sentiments” that have been “hurt” this time are the easily bruised egos of our elected representatives.
(By the way, you may have noticed that “MPs unite across party lines” is not a headline you will ever see after a massacre, a natural calamity, brazen public acts of sexual violence against women and so on. Oh no. Such unity is reserved only for utterly self-serving and anti-democratic interpretations of “Parliamentary privilege”).*
Artist: Abu Abraham
Declared HRD minister Kapil Sibal – “Much before the issue came to parliament, I had already taken action. I called for the NCERT text books and I looked at other cartoons. I realised that there were many other cartoons that were not in good taste and disparaging in nature. They were not sending the right message to our children in classrooms”.
Continue reading Please Sir, may I take a newspaper into my class?
The uproar over what is being referred to as the ‘Ambedkar cartoon’ in the class XI textbook prepared by NCERT first began over a month ago, that is to say, almost six years after the books have been in circulation, been taught and received high praise for their lively style and a critical pedagogical approach (more on this below). It was a political party – one of the factions of the Republican Party of India – that decided to kick up a ruckus over ‘the issue’ – that is, the ‘affront’ to Dr Ambedkar that the cartoon in question supposedly constitutes, and the resultant ‘hurt sentiments’ that it has caused. Very soon everyone began to fall in line, and practically every member of our august Parliament was vying with one other to prove that they were indeed more hurt than their colleagues. One of them, Shri Ram Vilas Paswan has even demanded that the
Well, the truth is that I care two hoots for Indulekha Hair Oil, their stupid ads, and the wide-eyed chubby-cheeked teenage girls who they usually cast as epitomes of Malayalee feminine grace. All of Mallu FB world is agog with discussion about a brainless ad for the Indulekha Hair Oil, in which a fiery-looking woman whose dress-style follows the dress conventions of our Malayalee AIDWA Stars, bursts with indignation over the terrible harassment that women with long hair face on buses, how we are all forced to cut off “the hair that we have” (‘Ulla mudi’) and go about with short hair “like men” because of this horrible injustice, and finally, how we all ought to grow our hair long (and let it down, possibly) and hit back at such harassers. This stupid ad is actually only one among other stupid ads for this hair-oil which uses currently-common ideas like ‘women’s collectives’ (stree koottaimakal). All of them are jarring since the concepts they use, and what they aim at, simply don’t mix.Part of the outrage has been fueled by the fact that the ad uses as a model Sajitha Madathil, who is well-known as a feminist theatre activist in Kerala. 
