Guest Post by Suvaid Yaseen
Of late there has been a rising trend of Kashmiris – professionals, artists, writers, musicians et al presenting their works on Kashmir on a much wider level than before. The larger impression that comes out of it all is that the narrative has been taken up by the people for themselves. A welcome contrast to outsiders flying in and telling us what we want, how we think, and what is actually good for us.
So, every time a Kashmiri artist is presenting his/her work on Kashmir, the expectations among Kashmiris tend to go up. People start feeling that finally their narrative, of how they saw the things, what they went through, would be told to the world, bereft of the lenses of security paradigm through which Kashmir has been usually viewed – a strategic territory, with not-so-strategic, dispensable people.
This can be fortunate as well as unfortunate. On one hand there is a ready audience to appreciate and applaud your work. On the other hand there are expectations to ‘perform’. For the artists themselves, there are additional pressures of ‘balancing’ and having a ‘non-biased’ view from the other side.
Continue reading The Country With A ‘Balancing Office’: Suvaid Yaseen




Hundreds of webpages now stand blocked in India, the government has openly been appealing to internet companies to pre- or post-screen content and remove what the government wants it to remove. One Google Transparency Report after another has been revealing how the number one target of the government is criticism of politicians and government. Just imagine what would the Indian media’s response to such censorship have been like had it been hundreds of books or articles we were talking about? Instead of asking Facebook to ‘pre-screen’ our posts, had Kapil Sibal been asking for someone to pre-screen articles in the newspapers, would it not be like the Emergency?