मई दिवस और गणपति में सम्बन्ध ही क्या हो सकता है? दोनों की न तुक मिलती है और न ही अनुप्रास की छटा दोनों के पास–पास होने से बिखरती है. फिर गणपति शुद्ध हिन्दू देवता हैं, गणेश चतुर्थी के अवसर पर तो उनका नामजाप समझ में आता है, लकिन मई दिवस पर उनका आह्वान? इससे बड़ा दूषण हो ही नहीं सकता और इसका दंड उन्हें तो किसी न किसी रूप में भुगतना ही पड़ेगा. सो हुआ.
सती अनामंत्रित अपने पिता दक्ष के घर गई थीं और अपमान न सह पाने के कारण उन्हें यज्ञ वेदी में ही कूद कर जल मरना पड़ा . किसी भी जगह बिन बुलाए नहीं जाना चाहिए, इसकी सीख देने के लिए यह कथा वे सुनाते हैं जिन्हें इस समय भी कुछ कथाएँ याद रह गयी हैं. निश्चय ही त्रिथा को यह प्रसंग या तो पता न होगा या वे इसे भूल गईं जब मई दिवस पर जवाहरलाल नेहरु विश्वविद्यालय में एक वामपंथी छात्र संगठन द्वारा आयोजित एक संगीत संध्या में मंच पर वे अनामंत्रित गाने चली गईं. एक तो वे स्वयं अनपेक्षित , अतः किंचित अस्वस्तिकर उपस्थिति थीं , दूसरे आयोजकों और श्रोताओं को , जो मई दिवस पर संघर्ष और क्रान्ति के जुझारू गीत सुन कर अपने शरीर के भीतर जोश भरने आये थे इसकी आशंका थी कि वे इस पवित्र अवसर पर जाने क्या गा देंगी. और आखिरकार उन्होंने इस आशंका को सही साबित कर दिया, जब वे शास्त्रीय संगीत के नाम पर वक्रतुंड, महाकाय …. गाने लगीं. थोड़ी देर पहले जो सैकड़ों शरीर ‘हिल्लेले हिलोर दुनिया ‘ पर झूम रहे थे, उनसे नहीं–नहीं का शोर उठा. इस छात्र जनता के नेता जन–भावना का आदर करते हुए मंच पर पहुंचे और त्रिथा को अपना गाना बीच में रोक कर मंच से जाना पड़ा. Continue reading मई दिवस और गणपति
Well, the truth is that I care two hoots for Indulekha Hair Oil, their stupid ads, and the wide-eyed chubby-cheeked teenage girls who they usually cast as epitomes of Malayalee feminine grace. All of Mallu FB world is agog with discussion about a brainless ad for the Indulekha Hair Oil, in which a fiery-looking woman whose dress-style follows the dress conventions of our Malayalee AIDWA Stars, bursts with indignation over the terrible harassment that women with long hair face on buses, how we are all forced to cut off “the hair that we have” (‘Ulla mudi’) and go about with short hair “like men” because of this horrible injustice, and finally, how we all ought to grow our hair long (and let it down, possibly) and hit back at such harassers. This stupid ad is actually only one among other stupid ads for this hair-oil which uses currently-common ideas like ‘women’s collectives’ (stree koottaimakal). All of them are jarring since the concepts they use, and what they aim at, simply don’t mix.Part of the outrage has been fueled by the fact that the ad uses as a model Sajitha Madathil, who is well-known as a feminist theatre activist in Kerala.
How many murdered Dalits does it take to wake up a nation? Ten? A thousand? A hundred thousand? We’re still counting, as Anand Patwardhan shows in his path-breaking film Jai Bhim Comrade (2011). Not only are we counting, but we’re counting cynically, calculating, dissembling, worried that we may accidentally dole out more than ‘they’ deserve. So we calibrate our sympathy, our policies and our justice mechanisms just so. So that the upper caste killers of Bhaiyyalal Bhotmange’s family get life imprisonment for parading Priyanka Bhotmange naked before killing her, her brother and other members of the family in Khairlanji village in Maharashtra, but the court finds no evidence that this may be a crime of hatred – a ‘caste atrocity’ as it is termed in India. Patwardhan’s film documents the twisted tale of Khairlanji briefly before moving to a Maratha rally in Mumbai, where pumped-up youths, high on testosterone and the bloody miracle of their upper caste birth are dancing on the streets, brandishing cardboard swords and demanding job reservations (the film effectively demolishes the myth that caste consciousness and caste mobilisation are only practised by the so-called ‘lower castes’). Asked on camera about the Khairlanji murders, one Maratha manoos suspends his cheering to offer an explanation. That girl’s character was so loose, he says, that the entire village decided to teach her a lesson.
Under the scorching Sun

Guest post by RAZA RUMI

The following piece was written by P.K. Medini, the one-time ‘singing sensation’ of the Communist Party in Kerala. It originally appeared in the Matrubhumi Weekly, as part of a series where people talk about their favourite books. It offers a glimpse of a time and place where literature and books and the whole culture of reading, mattered in an urgent and vital way.