Guest Post by NISSIM MANNATHUKKAREN
We live in a world where there is more and more information, and less and less meaning—Jean Baudrillard
Recently, there has been an outpouring of scathing critique against Arnab Goswami and his television programme, The Newshour in some sections of the English-language Press. One magazine cover story called him, “The Man Who Killed TV News.” The immediate context of this critique is Goswami’s branding of some prominent ecological and political activists as “anti-national” and his calling for a ban on the Nirbahaya documentary and legal action against a competing channel which was supposed to be air the documentary. This unprecedented and shockingly ironic position against free speech by a leading media personality was rightfully termed by a critic “as low as a journalist can sink.”
While these criticisms of the “murderous rage” evoked by Goswami draped in the nationalist tri-colour every night and the punishment he metes out to his opponents in a “medieval-style kangaroo court,” also known as an “open debate,” are entirely apt and necessary, they also miss the forest for the trees. Goswami is only a symptom of the post-liberalization corporatized and privatized media landscape of India. If Goswami did not exist, he would have been created. It is not Goswami alone who has killed news, it is the vast majority of the media, especially, television that has done so. What is more obscene than Goswami’s execrable theatrics is how he is deeply enmeshed in the structures of capital and power that he seemingly rails against every night. These structures have not just enmeshed him, but the others as well who are aghast at his aesthetics (or the lack of it). Continue reading Media and the Death of Democracy: Nissim Mannathukkaren


