Category Archives: Culture

Bad ideas, Culture, Language, Mirror Worlds

पीर पराई जानै कौन?: कुलदीप कुमार

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Guest post by KULDEEP KUMAR

अज्ञेय की प्रसिद्द कविता-पंक्तियाँ हैं:

“दुःख सबको मांजता है/
स्वयं चाहे मुक्ति देना वह न जाने/
किन्तु जिनको मांजता है/
उन्हें यह सीख देता है/
कि सबको मुक्त रखें.”
लेकिन दुःख की इस सीख पर क्या कोई अमल भी करता है? पुराना या आज का इतिहास तो इसकी गवाही नहीं देता. बल्कि देखने में तो यह आता है कि दुःख के भी खाने बन जाते हैं. हमें केवल अपना या अपनों का दुःख ही दुःख लगता है. पराई पीर जानने वाले वैष्णव हम नहीं हैं.

जबसे सुना है कि ओसामा बिन लादेन की ह्त्या उसकी दस-बारह साल की बेटी की आँखों के सामने हुई, तभी से विचलित हूँ. मुझे मालूम है कि आज जिस तरह की फिजा बन गयी है, उसमें यह कहना भी जोखिम से खाली नहीं है. मुझे ओसामा बिन लादेन के प्रति सहानुभूति रखने वाला घोषित किया जा सकता है. उसकी बेटी को तो पता भी नहीं होगा कि उसका बाप वाकई में क्या था. क्या उस बच्ची का दुःख इसलिए कम हो जाता है क्योंकि वह ओसामा की बेटी है? हम लोगों ने अपने लिए जिस तरह के तर्क गढ़ लिए हैं, उनके अनुसार तो इस बच्ची के दुःख के बारे में सोचना और बात करना भी आतंकवाद के प्रति सहानुभूति दिखाना होगा.

Continue reading पीर पराई जानै कौन?: कुलदीप कुमार →

Countryside, Culture, Everyday Life, Identities, Language

Punjabi Qissas and the Story of Urdu

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Heer-Ranjha
Heer-Ranjha in a Pakistani film poster, circa 1970s

The Social Space of Language: Vernacular Literature in British Colonial Punjab
by Farina Mir
Permanent Black, Ranikhet, 2010.
ISBN-817824307-5
pp-277, price Rs 695

This book straddles several anomalies that are rather obvious once stated but are rarely formulated as such. How is it that the world of Urdu literature becomes so dominated by people from the Punjab in a span of fifty years, beginning circa 1900s, and in a sense, continues to remain so? Iqbal, Faiz, Meeraji, Rashid, Bedi, Manto, Krishan Chander and down to our times Mushtaq Ahmed and Zafar Iqbal, a top twenty or top fifty list of modern Urdu litterateurs would likely contain eighty percent Pubjabis. And how is it that Punjabi, which produced such a brilliant and varied repertoire of stories, epics and poems until the late medieval era by such extraordinary luminaries as Baba Farid, Bulle Shah, Waris Shah, Haridas Haria seems to drop out of our horizon in the modern era, where all we know of is an Amrita Pritam or, less likely, a Surjit Patar. Where such poverty after such riches, where such preponderance from such invisibility? And yet, how is it that Punjabi still continues to enjoy immediate and even aural connotations that transcend nationality, religion and, even as it defines a community, a specific ethnicity. What then is a Punjabi community and where and how has it existed specifically in the colonial era but, in many resilient ways, down to our times? Continue reading Punjabi Qissas and the Story of Urdu →

Countryside, Culture, Everyday Life, Identities, Mirror Worlds

Who Killed Jugni? Shiraz Hassan

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Guest post by SHIRAZ HASSAN

It was many summers ago. I was visiting my village on the banks of the Jhelum. I saw the people of my village go towards the Eidgah, across the chappaD, or the pond. When I asked my grandfather about them, he said. “Ajj mela ay putter!” [Son, today is a fair!] The mela ground was bustling with makeshift shops and people thronging them. At one end of the mela a circus had come up. The mithai stalls were packed with customers and curious on-lookers, some of them were buying and eating. And that’s when I heard the sound of their music. There they were, surrounded by a circle of spectators. A couple of local artists sang a song I had not heard before. I couldn’t understand a word, other than ‘O mereya Jugni, O mereya Jugni’ – which they chorused, over and over again.

That was my introduction to Jugni. I had no idea who Jugni was, and for I long time I didn’t care. Continue reading Who Killed Jugni? Shiraz Hassan →

Bad ideas, Culture, Everyday Life, Identities, Mirror Worlds

Brilliant Tutorials: Trisha Gupta reviews Siddharth Chowdhury’s “Day Scholar”

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Guest post by TRISHA GUPTA

On the face of it, Siddharth Chowdhury’s Day Scholar, is a coming of age novel. The book’s own inside cover actually describes it as a “crazed and profane coming of age tale”, whose plot is ostensibly about how Patna boy Hriday Thakur (“who hopes to be a writer some day”) is first “trapped… by a series of misjudgements” and later “saved from a terrible end”. But much like Chowdhury’s previous offering, Patna Roughcut (also billed as “a story of love, idealism and sexual awakening” that takes us to “the heart of an aching, throbbing youth”), Day Scholar – despite a self-referential moment when its protagonist is asked by his father about how his Bildugsroman is coming along – is not a book that seems containable within the neat boundaries of the coming-of-age genre. Continue reading Brilliant Tutorials: Trisha Gupta reviews Siddharth Chowdhury’s “Day Scholar” →

Culture, Everyday Life, Politics

Music and politics – the power of minimalism: Prasanta Chakravarty

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Guest post by Prasanta Chakravarty

I want to tell you about a song.  A song and a singer that few will call political. I want to talk about a song called Daya Karo (Have Mercy) sung by Mousumi Bhowmik, which appears originally in her album Ami Ghor Bahir Kori/ In and Out of My Room (2001).

Though she would routinely perform in certain public events and campus fests in Kolkata, Bhowmik has always been a peripheral figure in the popular imagination on Bangla singers who appear in the last couple of decades. She does not qualify as a mainstream modern popular singer. It is an equally barbed proposition to accommodate her within a new group of singers who would tilt the popular musical scenario in Kolkata and its suburbs by some straight talking, angst ridden compositions and solo performances throughout the nineties. Some of these singers have of late plunged into active politics and one of them has even become a Member of Parliament.

Continue reading Music and politics – the power of minimalism: Prasanta Chakravarty →

Capitalism, Culture, Everyday Life, Movements, Scams

Cultures of Corruption: Kalpana Kannabiran

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Guest post by KALPANA KANNABIRAN

We are a country given to idolatry – both the erection and demolition of idols a favourite pastime that buries under the rubble questions of ethics and constitutional morality.   While this penchant for idolatry raises larger questions,  I will concern myself at this point with the effigy (or the idol upside down) called corruption.

While there has undoubtedly been a marked shift in the languages of corruption in the neo liberal era, calling for new and different strategies to combat it, the fight against corruption is not new.  When women’s groups campaigned decades ago against the testing of banned drugs and contraceptives on poor people by the ICMR, the question that was raised was about the nexus between pharmaceutical companies and state actors that involved deals for which poor and vulnerable communities were pushed to the guillotine.  With Bhopal, the question came up again on the deals between multinational companies (Union Carbide in this case) and the government that violated every principle of human rights, natural justice, constitutional morality and the ethics of care in governance.  Was the derailment of justice effected without corruption at every level? Apart from providing care to the affected, was not the struggle for justice in Bhopal a struggle against corruption?  When the People’s War Group (as it was then called) abducted an elected representative two decades ago (who was later released), the reason they gave to the negotiators was that he misused public funds in the district and asserted that theirs was a fight against corrupt representatives.

Continue reading Cultures of Corruption: Kalpana Kannabiran →

Culture, Language, Mirror Worlds

A Tribute to Moin Akhtar (1950-2011)

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For many of us in India he was Amitabh Bachhan and Dilip Kumar combined in one, although he did no action. His action consisted of something else altogether. He could play any character in the world, sometimes animals too. His impersonations of Dilip Kumar were sometimes better than the thespian’s own act. He could speak well, emote well, mimic brilliantly, parody, caricature, satirize and imitate almost anything and anybody. He could do all of this without appearing crude in the slightest way. His understated demeanour, his timing and his ability to retain a straight face through the most ridiculous of situations was more than a gift, through it he brought class to whatever he did. He has often been described as a comedian but if he was a comedian then he redefined the art of comedy and created a genre which could be performed only by himself. He was a one man entertainment industry and unlike film starts from this side of the border he needed nothing other than himself. He was his own writer, performer, director, presenter. Here was a fusion of an artist and his material that is rarely seen in the performance arenas in the subcontinent. Continue reading A Tribute to Moin Akhtar (1950-2011) →

Bad ideas, Culture, Left watch, Politics

The Paradoxical Figure of Mamata: Monobina Gupta

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Guest post by MONOBINA GUPTA

With the coming assembly elections, West Bengal seems to be poised on the edge of a historic upheaval that will, in all probability, enter the collective memory of its people, much like the momentous 1977 elections. The most palpable moment of this churning will manifest in what looks like an unbelievable denouement – that of the thirty-four year old monolithic rule of the Left Front. Equally stunning might be the image of Mamata Banerjee, bringing the red fortress down – a politician, almost bludgeoned to death by CPI-M cadres on 16th August 1990, now transformed into the emblematic face of this extraordinary hour. The 2011 polls may be billed as the great unraveling of West Bengal, its politics and culture – but also, I think, of gender relations. Banerjee is on the verge of acquiring a unique status, becoming the first woman head of a state well known for its misogynist culture, notwithstanding many claims to the contrary.

mamata banerjee
Mamata Banerjee. Courtesy The Hindu, Arunangsu Roy Chowdhury

An important aspect of Banerjee’s ascendancy may be lost if we fail to locate her persona within this grid of power and gender relations; if we do not contextualize her in Bengal’s thriving culture of male chauvinism. The association of West Bengal and its ruling Marxists with the autonomy and radicalization of women – who are supposedly respected in Bengal unlike in other parts of the country – is a well preserved myth. Bengal respects its women, but only if they belong to the hallowed league of ‘Mothers and Sisters’. Like elsewhere, ‘deviant’ women have little place in the land of the Renaissance.

Continue reading The Paradoxical Figure of Mamata: Monobina Gupta →

Culture, Debates, Government, Media politics, Movements, Scams

‘Anna Hazare’, Democracy and Politics: A Response to Shuddhabrata Sengupta

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In an earlier post, (hits to which have broken all records on Kafila), Shuddhabrata Sengupta has raised some extremely important points in the context of the media-simulated coverage and celebrations around the ‘Anna Hazare’ movement. I agree with the central argument made by Shuddha – which is about the authoritarian, indeed totalitarian implications of the proposed Jan Lokpal Bill (though, as many commentators to the post have pointed out, the Bill really remains to be drafted and passed in parliament).

I have no doubt whatsoever that any demand that simply seeks a law of the sort that has been raised by the movement (even in the proposed form), is completely counterproductive. Indeed, it is naive. Matters like corruption or communalism cannot simply be legislated out of existence through tougher laws. Inevitably, they will lead us up to China type situations where you will end up demanding summary trials and executions. Even in the best of cases, a law and state-dependent mode of addressing such problems, adds to the powers of a corrupt bureaucracy. I also agree with his (and Bobby Kunhu’s) criticisms of some aspects of what they have both chosen to designate as ‘mass hysteria’ of sorts – I certainly do not agree with this description but that need not detain us here. I am  interested in something else here and that has to do with the way the movement has struck a chord among unprecedentedly large numbers of people – mainly middle class people I am sure, but the support for it is not just confined to them. In fact, on the third day of the dharna at Jantar Mantar I received an excited call from a CPM leader who works among the peasants in villages of northern India in the Kisan Sabha, about the response to the movement he had encountered in his constituency. I doubt that this was a support simulated either by the government or by the electronic media. Continue reading ‘Anna Hazare’, Democracy and Politics: A Response to Shuddhabrata Sengupta →

Culture, Debates, Media politics, Movements, Politics, Scams

Of a Few, By a Few, For the Few: Bobby Kunhu

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Guest post by BOBBY KUNHU, carrying the debate on the Anti-corruption movement forward

I am distinctly uncomfortable with predictions – using either scientific or unscientific tools. For me it smacks of charlatanry – from astrology to psephology to stock market speculation. But with the charade that was unleashed for the past few days on news television by the mainstream media and of course at Jantar Mantar and a few other town squares across the “mainstream” Indian political landscape by Anna Hazare’s fast – I did dare to make an attempt – both at prediction and more comfortably with dissent. I foretold the outcome of the fast tableau at an emergency meeting that was convened by some co-travellers at the Salem Citizen’s Forum to debate on whether and how to show solidarity to Anna Hazare…

…Well, it is not just Anna Hazare and his team who won this match comfortably. All actors who joined the show have won the match. Everyone – the “civil society” that sat on fast at Jantar Mantar and other places, the Corporate media, the glamour world, the Government, political establishment of all hues and shades – everyone who bothered to join the game. It was like bathing in the Ganges during the Maha Kumbh – everyone’s sins were washed away. And of course nobody in their right minds regardless of political affiliations or ideologies could take a position “for corruption”!!! A veritable Bush-ian position — either you are with Anna Hazare or you are with corruption. And yes, India Incorporated has won the match and it is time for celebrations!

Read the full post on Countermedia

Culture, Everyday Life, Government, Language, Movements

Dastan-e-Sedition

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Free Binayak Sen Campaign

Justice on Trial:
three days of cultural events
April 4 – 6, 2011
@ Alliance Francaise de Delhi
72, Lodhi Estate, New Delhi 110003

Justice on Trial (Facebookers RSVP here) is a collaborative programme put together by leading contemporary artists, photographers, film makers, musicians, performers, and activists to commemorate struggles for democracy, freedom and rights. An exhibition of photographs and art works, talks performances and screenings all are directed at drawing renewed attention to the trial of Dr. Binayak Sen, who has emerged in recent times as a symbol of courageous resistance, and a reminder of the many injustices that surround us. Our aim is to provoke a dialogue with the colours and sounds that emerge from the idea of what Dr. Sen represents.  Continue reading Dastan-e-Sedition →

Culture, Debates, Everyday Life, Identities, Left watch

Why so serious?: Anuj Bhuwania

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Guest post by ANUJ BHUWANIA

Cellphone videos of the celebrations at India Gate after India won the semi-final against Pakistan

 

So cricket is the opiate of the Indian masses, and India’s left-liberals (henceforth LLs) can’t deal with it. Or with popular cinema or religion, for that matter. All of which are things that these oh-so-serious people can’t quite seem to fathom. The only cinema you should enjoy are art house/multiplex films with the right ‘social message’, the only religion you can profess is Sufism and the only cricket you are allowed to enjoy is West Indies winning a test match, because CLR James has apparently said it’s ‘empowering’ or  ‘anti-imperialist’ or some such. These trivialities – cinema, religion, cricket – are just there to distract people from the really important issues. We should all only obsess about ‘important’ topics like nuclear energy, the 2G spectrum scam or the UID. Continue reading Why so serious?: Anuj Bhuwania →

Culture, Debates, Genders, Language

Madan Gopal Singh on the Jugni debate

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Guest post by MADAN GOPAL SINGH


Arif Lohar sining a Jugni with multiple beat instruments – dholak, dhol and bongo and chimta. Even the alghoza – two short and narrow reed flute like instruments – used to keep fast rhythm between three to four notes.
*

With extreme reluctance, I am trying my hand at English even though my command of this language remains highly suspect. After a recent discussion on Kafila, I felt encouraged to contribute my two-penny bit to the lively debate about Jugni… Continue reading Madan Gopal Singh on the Jugni debate →

Capitalism, Culture, Left watch, Scams

Corruption, CPI(M) and Neoliberalism: Sankar Ray

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Guest post by SANKAR RAY

Prasenjit Bose, chief of research cell, central committee of CPI(M) deserves kudos for his article Corruption and Forbearance under Neoliberalism, published in the journal of The Centre for Policy Analysis, and reproduced in pragoti.org. However, corruption is not an exclusive phenomenon under the capitalist system. Socialist countries – I mean the social orders encouraged by the Third International – were also afflicted by corruption, not to speak of People’s Republic of China (both in Mao and post-Mao years). Even the CPI(M)-led governments in Kerala and West Bengal never waged a principled war against corruption.  Hence Bose’s inference that “the state under the neoliberal regime has increasingly become a vehicle for capital accumulation and also a site for primitive accumulation, by the established corporate players as well as new entrants to the big business club” – is only half the truth. Continue reading Corruption, CPI(M) and Neoliberalism: Sankar Ray →

Bad ideas, Culture, Genders

The ‘new’ Indian filmi woman: Arpita Das

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Guest post by ARPITA DAS

In these times of celebrating ‘small’ films, ‘new’ unheard-of young directors, little India, and non-filmi characterizations, it seems to have become mandatory for critics to praise every film claiming to build its  narrative around a so-called non-mainstream idea.  If this were not so, two ‘small’, ‘different’ films which created a lot of hype recently, would not have gathered as much post-release steam.  I am talking about No One Killed Jessica and Manu weds Tanu.  Both have been promoted and described in reviews as bold films, with star heroines showing a no-holds-barred temperament and verbal acumen, and this being the central focal point of their ‘different-ness’, both have made that oft-repeated Bollywood claim, ‘pikchar hatke hai’. If the films are to be believed, this new Indian woman can be instantly recognized by one or more of the following traits: smoking nicotine or other substances, mouthing expletives both in Hindi and English with ease, being sexually promiscuous or even vaguely ambivalent, manipulating people close to them without giving a thought to causing hurt, and a sound lack of any sense of ethics in the professional sphere or personal turf.

Continue reading The ‘new’ Indian filmi woman: Arpita Das →

Culture

Who is Jugni?: Indu Vashist

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Guest post by INDU VASHIST

The character of Jugni has been featuring in Punjabi popular and folk music for well over a century. The most recent references of this rebellious, fiery female character have appeared in diverse productions like Pakistan’s Coke Studio (above), Punjab’s sensicore rocker Rabbi Shergill, and of course Bollywood in films like Tanu Weds Manu and Oye Lucky! Lucky Oye! Continue reading Who is Jugni?: Indu Vashist →

Culture, Debates, Ecology/Environment, Left watch, Movements, Theory

Reflections on Sudipta Kaviraj’s ‘Marxism in Translation’

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[The following is a revised version of some comments made during a discussion with Sudipta Kaviraj at the Centre for the Study of Developing Socoeties, Delhi on 21 October 2010. Kaviraj made a presentation based on a recent essay of his ‘Marxism in Translation: Critical Reflections on Indian Political Thought’ (published in Political Judgement: Essays in Honour of John Dunn, Eds Raymond Geuss and Richard Bourke) to which some of us responded. AN]

It is interesting to revisit, with Sudipta Kaviraj, the field of ‘Indian Marxism’. It is an abandoned field, a piece of haunted land where no living beings go – at least not in their senses. What is more, it is a field that ‘Indian Marxists’ themselves are afraid of revisiting. It is their past – the land of the dead, of unfulfilled ancestral spirits, where the ghosts of yesteryears hang like betaal from every tree. The terror of this forbidden territory has redoubled, after the collapse of socialism. It is as if some deep secrets of the past lie buried there which they would rather not bring back to life, for fear of what might be revealed to them of their own selves. It is strange but true that Marxists who swear by history are perhaps as afraid of it as anybody else.

Read the full post in Critical Encounters.

Bad ideas, Culture, Debates, Everyday Life, Identities, Law

You fill up my Census…

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…quipped my brother Dilip in response to the following mail from my sister Pramada:

So the bell rings this afternoon. desperate clanging. i open the door and there is a man with forms in his hand and a general irritated demeanor. figured that this was the census man. he comes in and settles down. starts by wanting to know who the head of the household is. i say there is no one. he insists. i continue to say no one.

Census of India 2011 mascot

He proceeds to explain that if the parents live in the house, then they are the head of the household, if married then the husband is. I proceed to ask for definition and say that all three of us who live in the house are head of the household since we all earn and take decisions. he promises to erase what he has written since he was sure my mother was head of household.

He seemed to find my gender a bit dubious so questioned my mother if i was a boy or a girl and then repeatedly said “ladki” to me. having established that i indeed was a woman, he wanted to know date of birth, which was not difficult, but place of birth he found extremely challenging. he could not get his spellings right, or did not know districts or states in the country so tattamangalam in palghat district in kerala was as baffling as mysore in karnataka. calcutta was easy to deal with and he said calcutta was in calcutta!!! mother tongue caused him more angst because he had to write malayalam and again the spelling eluded him.

Continue reading You fill up my Census… →

Culture, Frontiers, Identities, Language

10% Anthology: Tarun Bhartiya

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A review by TARUN BHARTIYA

The Oxford Anthology of Writings From North-East India : Poetry and Essays
Edited by Tilottoma Misra
Oxford University Press
New Delhi, 2011, 332 Pages / Rs. 595 ISBN 0-19-806749-6

If you are on the marginalisation trip, and India’s North East is your illicit high, you should be worried. In the last ten years, trying to make up for the dark fifty years of Indian ignorance, anthologies of literature from the region have begun to appear almost annually.

But before I get accused of an inside job, a disclosure that I am loathe to make:

I know many of the poets (some of whose biographies smell of Shillong) who feature in The Oxford Anthology of Writings From North-East India : Poetry and Essays. We share little magazines, anthologies, dark bye-lanes of love, anger, feuds, booze, and journeys to find our next fix.  So, I promise to dull my taste and leash my judgment. And only occasionally lapse into pointless gossip. Continue reading 10% Anthology: Tarun Bhartiya →

Bad ideas, Culture, Everyday Life, Identities, Violence/Conflict

Teaching Harmony, Practicing Disharmony

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This was presented as a paper at a symposium on Peace Education organised as part of National Conference on Indian Psychology, on 6 February 2011 at the India International Centre.

This piece seeks to underscore the cleavages that exist in our society, explore the foundations upon which the edifice of intolerance has risen and to look at the tools, like education for peace and harmony, with which we try to dismantle this citadel of intolerance.

Peace education, you would agree, cannot be confined merely to teaching the message of Love and brotherhood, our text books have been teaching this message for as long as I remember and my memories of our text books go back, at least to my senior school days in the mid sixties, almost 45 years ago.

If telling students in their classes that we should all love each other because we are all Indians and that we are all equal was enough then we would not have many of the problems that we are confronting today. Continue reading Teaching Harmony, Practicing Disharmony →

Culture, Debates, Language

A Moment of Revelation: Prasanta Chakravarty

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Guest post by PRASANTA CHAKRAVARTY

[A Report on ‘The Everyday Life of a Discipline’- a colloquium on contemporary English Studies that took place on February 4, 2011, at the Department of English, University of Delhi]

Unlike the social sciences, humanities in India at least, have been less systematic and meticulous about introspection. This is slightly odd owing to the fact that the onslaughts on humanitities, from both outside and from within its own quarters, have been quite relentless and ballistic of late. Besides, it is a good idea to take stock of things from time to time as disciplines morph and change gear. So, when I was asked to be part of a group of practitioners of humanities who were at the forefront of the last bit of stock-taking that took place during the late nineteen-eighties, I was curious to know how they see their own transition at this point of time and also get a sense about their assessment of English studies now, apart from my own contribution to the current debates.

Continue reading A Moment of Revelation: Prasanta Chakravarty →