Guest post by AKHIL KATYAL
Ashiya Begum, an elderly widow, had worked as a road construction labourer after her husband’s death. She recalls that when all the workers used to have lunch by the construction site, she tried to sleep under the bushes as there was no food and it was better than seeing others eat. When the pangs of hunger grew insistent, she would drink a lot of water and then tie her saree end tightly around her stomach and continue to work. At night if the children cried and she had nothing to feed them, she peeped out of her tent to neighbours’ utensils and used to beg a glass of ganji (water which is to be drained out of rice once it is cooked) from them. Everybody got 5-6 spoonfuls of ganji before sleeping. Sometimes in the evening, after the road construction work, she cooked in other people’s houses. They gave her four rotis that the entire family ate…‘Even if I tell you (what we eat to survive),’ she told the researcher, ‘will you ever be able to feel what we eat?’
– from the ‘Study on Destitution and Hunger’, Centre for Equity Studies, Delhi
Old age mostly inspires the sentiment of the universal in us, the aesthetics of the general, so much so that when we speak of the old, we often let go of the specific and relish statements that tend to be as wide-ranging as they could be naïve: the old are wiser, we say, the age is just a number, our frames turn more literary, more contemplative, it is the dusk of life, we think, or sometimes being metaphorical, we consider to be old to be in a second childhood. The last one is Aristophanes, no less. Continue reading Resisting the Second Childhood: Towards Universal Pension in India
The uproar over what is being referred to as the ‘Ambedkar cartoon’ in the class XI textbook prepared by NCERT first began over a month ago, that is to say, almost six years after the books have been in circulation, been taught and received high praise for their lively style and a critical pedagogical approach (more on this below). It was a political party – one of the factions of the Republican Party of India – that decided to kick up a ruckus over ‘the issue’ – that is, the ‘affront’ to Dr Ambedkar that the cartoon in question supposedly constitutes, and the resultant ‘hurt sentiments’ that it has caused. Very soon everyone began to fall in line, and practically every member of our august Parliament was vying with one other to prove that they were indeed more hurt than their colleagues. One of them, Shri Ram Vilas Paswan has even demanded that the
Not that we needed any evidence of the prevalence of caste in India – even amongst the elites who like to pretend caste doesn’t exists when it comes to the reservation debate. The Times of India reports from Mumbai:
Well, the truth is that I care two hoots for Indulekha Hair Oil, their stupid ads, and the wide-eyed chubby-cheeked teenage girls who they usually cast as epitomes of Malayalee feminine grace. All of Mallu FB world is agog with discussion about a brainless ad for the Indulekha Hair Oil, in which a fiery-looking woman whose dress-style follows the dress conventions of our Malayalee AIDWA Stars, bursts with indignation over the terrible harassment that women with long hair face on buses, how we are all forced to cut off “the hair that we have” (‘Ulla mudi’) and go about with short hair “like men” because of this horrible injustice, and finally, how we all ought to grow our hair long (and let it down, possibly) and hit back at such harassers. This stupid ad is actually only one among other stupid ads for this hair-oil which uses currently-common ideas like ‘women’s collectives’ (stree koottaimakal). All of them are jarring since the concepts they use, and what they aim at, simply don’t mix.Part of the outrage has been fueled by the fact that the ad uses as a model Sajitha Madathil, who is well-known as a feminist theatre activist in Kerala. 
This statement has been put out by NIGAH
KAFILA - COLLECTIVE EXPLORATIONS SINCE 2006 