For many of us in India he was Amitabh Bachhan and Dilip Kumar combined in one, although he did no action. His action consisted of something else altogether. He could play any character in the world, sometimes animals too. His impersonations of Dilip Kumar were sometimes better than the thespian’s own act. He could speak well, emote well, mimic brilliantly, parody, caricature, satirize and imitate almost anything and anybody. He could do all of this without appearing crude in the slightest way. His understated demeanour, his timing and his ability to retain a straight face through the most ridiculous of situations was more than a gift, through it he brought class to whatever he did. He has often been described as a comedian but if he was a comedian then he redefined the art of comedy and created a genre which could be performed only by himself. He was a one man entertainment industry and unlike film starts from this side of the border he needed nothing other than himself. He was his own writer, performer, director, presenter. Here was a fusion of an artist and his material that is rarely seen in the performance arenas in the subcontinent. Continue reading A Tribute to Moin Akhtar (1950-2011)
For those who worry themselves sick about laptop radicalism, this is essential reading:
‘Prachatai’ means “free people” in Thai. Prachatai calls itself an online newspaper, with Thai and English versions. You can see the English version 
KAFILA - COLLECTIVE EXPLORATIONS SINCE 2006 