Category Archives: Culture

डिजिटल दुनिया के देशभक्त सैनिक और औसत आदमी : मनीष राज

Guest post by MANISH RAJ

चारों तरफ देशभक्ति का खुमार चढ़ा देख मैं सोच में पड़ गया. क्या मैं भी देखभक्त कहलाने लायक हूँ? क्या मेरे अन्दर भी देशभक्ति के वे सभी गुण मौजूद हैं जो एक भारतवासी में होने चाहिएं? इस सवाल का जवाब जानने के लिए पहले मुझे देशभक्ति के मायने समझने होंगे. आखिर देशभक्ति किसे कहते हैं?

सबसे पहले मैंने इस शब्द के शाब्दिक अर्थ पर गौर किया. देशभक्ति यानि देश की भक्ति. लेकिन भक्ति तो भगवान् की होती है न जी, जिसका गुणगान करना मोक्ष का मार्ग माना जाता है. या फिर उन बाबाओं की, जिनके एक आशीर्वाद, एक अंगूठी या एक ताबीज़ से आपका धंधा चल निकलता है, आपके बच्चों की शादियाँ हो जाती है और सारी बीमारियाँ ठीक हो जाती है. वैसे आजकल भक्ति शब्द अलग-अलग नामों से बहुत फैशन में है. एक समूह दुसरे समूह को किसी व्यक्ति विशेष का भक्त बता रहा है, तो वहीँ दूसरा समूह पहले समूह को पुरानी धारणाओं से ग्रसित और किसी दूसरे व्यक्ति का चमचा बता रहा है. सूचना के लिए बता दूं कि मैं अपनी गिनती इन दोनों समूहों में नहीं करता. इन दोनों में खचाखच भीड़ है, और भीड़ में मेरा दम घुटने लगता है.

शब्दों में उलझ गया तो फिर सोचा कि व्यस्तता से भरे आधुनिक जीवन में शब्दों की तितलियों के पीछे दौड़ने का क्या लाभ. इसलिए व्यावहारिक होते हुए मैंने देशभक्ति के प्रमाणिक सबूत तलाशना शुरू किया. देशभक्त किन्हें माना जाता है और उनमें क्या गुण होते हैं? Continue reading डिजिटल दुनिया के देशभक्त सैनिक और औसत आदमी : मनीष राज

A Dog Writes to a Minister: Dear A K Balan …

 

Dear Mr A K Balan

I am writing to you because I feel that it is my duty to disabuse you of the ideas you seem to harbour of, and in the name of, Indian nationalism (and not just bark at the portentous approach of the peddlers of ‘nationalism’, the Hindutvavaadis). You are a Minister in the CPM-led government of Kerala, which was elected by  Malayali citizens to ward off the monstrous Hindtuva-Nazi-Predatory Capitalist combine that has taken over India nearly, and so my barking should have been enough. But you seem to be totally wrapped up in your ignorance. Continue reading A Dog Writes to a Minister: Dear A K Balan …

Love Can’t Be Forced: Protest Against Sanghi Hubris at IFFK!

 

 I am hoping to protest at whichever venue of the International Film Festival of Kerala that I can manage to go to, wearing a printed badge saying ‘DEAR SUPREME COURT, NO LOVE CAN BE FORCED’. Yesterday, six people who did not stand up when the national anthem was played were arrested. Sanghi elements and overenthusiatic people who have picked up Modi’s style of projecting instant nationalism on the debris of Indian democracy have been heckling people who refused to comply with the SC’s order and filing complaints. Indeed, they took photos of people who didn’t stand up during the anthem. How come they have not insulted the national anthem according to their own standards since they too were expected to stand in attention?
 

Continue reading Love Can’t Be Forced: Protest Against Sanghi Hubris at IFFK!

Alchemies of Art and Resistance in Kashmir

Bertolt Brecht, was to write

“In the dark times

Will there also be singing?

Yes, there will also be singing.

About the dark times.”

Violence, persistent and unending, creates an alternative reality, a festering, perverted, horrible, surreal reality. Violence, unending and unrelenting erases all memories of times past, Memories of times when another reality existed, It is this alternative reality that begins to redefine imagery, ideas, sensibilities and begins to creates a new grotesque discourse, a discourse in which the ugly face of fear and death becomes the normative. I’ll give you one example of how this works. Continue reading Alchemies of Art and Resistance in Kashmir

‘Degrees’ of Democracy – Field Notes from a Central University in Bihar: Debaditya Bhattacharya

Guest post by DEBADITYA BHATTACHARYA

This piece has long been in the coming. Soon after the summer of student protests in India exposed the terror-apparatuses of the state and unleashed a new vocabulary of progressive political resistance, the students of a certain Central University of South Bihar (in Gaya) went on strike against the university administration in the early days of August. They however were not fighting to protect constitutional rights, because their daily encounters with the university had already come to rest on a structural suspension of many such rights. Like those of speech, of rational thought and scientific inquiry, of gender-equality, and of resisting what Vemula called the event of being reduced to one’s “immediate identity”. These students merely decided to fight for their right to a degree.

They had come together to demand statutory recognition for courses that they were enrolled in since 2013, but most sections of the national media at that time deemed the issue ‘sub-national’ enough to be granted space or audience. Reporters from the local print-media were – in what seems like accepted practice across public institutions in the country – barred entry into the university campus, and hearsay reports constituted the stuff of low-key news-briefs with little context or compassion. Those who attempted to organise public opinion by writing on social and alternative media spaces, were – in a classic division of interests that administrative bureaucracies are deft at provoking – urged by students themselves to withdraw. The reason was simple: each social media post or conversation around the issue was declaredly spied on by the university administration in order to ‘detect’ subterranean alliances and “outside support” (as if it were a terrorist conspiracy!), and students were individually targeted and intimidated for passing on internal ‘secrets’ to ‘outsiders’. I know of specific Facebook posts which had been taken print-outs of and convened surreptitious meetings over, where administrative heads and proctorial board members put their heads together to crush the germ of student dissent and ‘outsider’-mobilizations. The agitated students continued in their own ways, despite open threats of disciplinary action and reminders of exam-time tactics of penalisation. The Vice-Chancellor marched off to Delhi to strike bargains for an interim settlement-package with officials in the ministry, and returned to meet the striking protestors with as much of an assurance as threats of expulsion. Continue reading ‘Degrees’ of Democracy – Field Notes from a Central University in Bihar: Debaditya Bhattacharya

Separatism of Majority against Kashmir : Anil Chamadia

Guest Post by Anil Chamadia

I am an Indian, but a separatist too. I am hostile against Kashmiri people because I only love my fellow countrymen.

The feeling of separatism among the people of a bordering state is easily identified. But there are two types of separatism. In a state or region like Kashmir and North – Eastern states, separatism is identified in such a way that there is a group or more than one group of people who want to secede from Indian nation and they carry out “actions” to fulfill this desire. They try to galvanize public support through their “actions” and harm government machinery as well. But have we ever identified the separatism that is professed by the majority section of the society?

I belong to a Hindu family of north India. Right from the beginning, a separatist feeling against Kashmir has been cultivated within me. A survey can be conducted in entire north India to know how a relationship with Kashmir has been nurtured among the people of this region during their childhood. If I ask 100 children, they all know Kashmir only through the materials available in media. I want to repeat the story how I was introduced to Kashmir. I was born in the early years of 1960s.  While going to school or returning back, I was told that Kashmir has a separate flag which is different from Indian tricolour. Like prime minister of India, it also has a prime minister. There is a separate section in Indian Constitution for it and Muslims are in majority there. Since Pakistan follows Islam, therefore loyalty of Kashmir people is also doubtful. Continue reading Separatism of Majority against Kashmir : Anil Chamadia

भारत को पाकिस्तान बनने की राह पर धकेल रहे कट्टरपंथी

अठारह साल की एशम और उसकी बहन ईशा हर महीने दो बार मुल्तान जेल पहुंचती हैं, ताकि अपनी मां से मिल सकें। उनकी मां आसिया बीबी फिलवक्त पाकिस्तान के विवादास्पद ईशनिंदा कानून के तहत सजा-ए-मौत का इंतजार कर रही है। इस मामले में उसकी अंतिम अपील सुप्रीम कोर्ट के सामने है। ननकाना साहिब के लिए मशहूर पाकिस्तान के शेखपुरा जिले के इत्तनवाली गांव की रहने वाली आसिया बीबी (उम्र 50 वर्ष) पर ईशनिंदा के आरोप 2009 में लगे थे। एक खेत में काम करते हुए उसका झगड़ा साथ काम करने वाली मुस्लिम महिला से हो गया। झगड़ा इस बात पर हुआ कि आसिया को पानी लाने को कहा गया, तो मुस्लिम महिला ने आपत्ति जताई कि गैर मुस्लिम का छुआ पानी नहीं पिया जा सकता। झगड़े के बाद मुसलमान औरत स्थानीय मौलवी के पास पहुंची और बताया कि बीबी ने पैगंबर मोहम्मद को गाली दी। इसे ईशनिंदा का अपराध माना गया।

संवेदनशील मामला
पाकिस्तान में ईशनिंदा बहुत ही संवेदनशील मसला है, जिसके लिए मौत की सजा भी हो सकती है। आसिया बीबी को पुलिस ने गिरफ्तार कर लिया और उस पर मुकदमा चला। आसिया ने अदालत में कहा कि आपसी झगड़ा था, ईशनिंदा जैसी कोई बात ही नहीं थी, फिर भी 2010 में उसे मौत की सजा सुना दी गई। उसके समर्थन में बोलने वाले पंजाब प्रांत के तत्कालीन गवर्नर सलमान तासीर को उन्हीं के बॉडीगार्ड ने गोलियों से छलनी कर दिया। इस्लामाबाद में सरेआम गवर्नर की हत्या करने वाले मुमताज कादरी को मौत की सजा सुनाई गई और 2016 में उसकी सजा पर अमल भी हो चुका है। Continue reading भारत को पाकिस्तान बनने की राह पर धकेल रहे कट्टरपंथी

An Appeal by JNU Teachers on the Disappearance of Najeeb Ahmed

We, the undersigned teachers of JNU, are deeply concerned about the continued absence of Najeeb Ahmad, a student of M.Sc. Biotechnology, who was last reported as seen  on JNU campus on 15 October 2016. We express our deepest sympathy and solidarity with Najeeb’s mother, sisters and extended family, and share in their anxiety and despair at the fact that even after ten days of Najeeb’s disappearance, neither the police not the JNU authorities have been able to provide any credible leads to his whereabouts; indeed, both have failed to even keep the JNU community informed of the progress of the search operations.

The JNUTA has repeatedly requested the VC to issue a personal appeal assuring Najeeb complete security and due process and to immediately set up a channel for the dissemination of this information, but to our dismay, the JNU administration has taken no concrete steps in this direction.The very least the JNU administration can do at this juncture is to issue a press release detailing all the steps it has taken thus far in facilitating the search for Najeeb, including its own efforts as well as its communications to the police and other authorities, and thereafter issue daily bulletins on the developments in the search. This willingness to share information with the JNU community and particularly Najeeb’s distraught and anxious mother and family, is absolutely imperative, both as a measure of enforcing accountability as well as to prevent the circulation of unfounded rumours. Continue reading An Appeal by JNU Teachers on the Disappearance of Najeeb Ahmed

Requiem for the Undead: On Kerala’s Sixtieth Birthday

[The title is a tribute to Johnny Miranda’s exquisite Malayalam novel, Requiem for the Living (Jeevichirikkunnavarkku Vendiyulla Opees in Malayalam)

As Kerala’s sixtieth birthday – a year which was inevitably one of celebration for many Malayalis as the culmination of life, until the increasing life expectancy here rendered it redundant – approaches, evaluations on the health and well-being of the region (and not just the people, or individual Malayalis) are being offered. They do not bode well. There is a sense in which we feel that the magic that has somehow protected the region, placed a shining cloak around its shoulders once, has departed. This magic is none other than that which is captured by the term ‘Kerala Model’ – which, in our popular imagination, always exceeded being just social science shorthand for the complex array of historical factors that led to high social indicators in a society characterized by low economic growth once associated with us. The idea of the Kerala Model somehow represented the fairy godmother who had transformed Kerala from being the Cinderella in India, to a shining princess fit to be raised to the heights of the UN’s international development-circles in the 1970s. Continue reading Requiem for the Undead: On Kerala’s Sixtieth Birthday

Resist the Draconian and Undemocratic Ban Order on the Kashmir Reader Newspaper: Junaid Nabi Bazaz

Guest Post by Junaid Nabi Bazaz. Photos by Abid Bhat and from Kashmir Reader Online

kashmir-reader-ban-759

 

In a move unprecedented in the last three decades in the strife torn Kashmir valley, the Jammu and Kashmir government published an order in early October that stated that Kashmir Reader (KR), a vocal newspaper with circulation of less than10000 copies, contained material and content ‘which tends to incite violence and disturb public peace and tranquility.’ This was then used as a justification for placing a ban on the publication of KR. Today, on the 25th of October, Journalists assembled in Srinagar to protest this arbitrary ban.

Continue reading Resist the Draconian and Undemocratic Ban Order on the Kashmir Reader Newspaper: Junaid Nabi Bazaz

Academics’ Letter to the VC, Central University of Haryana Regarding the ‘Draupadi’ Affair

Following is the text of a letter to the Vice Chancellor, Central University of Haryana, sent by some academics protesting the attacks on Dr Snehsata Manav and Dr Manoj Kumar regarding the students’ production of the play ‘Draupadi’:
To the Vice Chancellor,
Central University of Haryana
Dear Vice Chancellor:
We write in support of Dr. Snehsata Manav and Dr. Manoj Kumar of the Department of English and Foreign Languages who have recently come under attack for their sponsorship of a student production on your campus of the play “Draupadi” based on a story by Mahasweta Devi who, as you know, is universally recognized as a towering figure in contemporary Indian literature. Her writings, translated into most Indian languages, have highlighted the struggles of oppressed and marginalized women and men. Her story “Draupadi”, whose dramatized version has been highly acclaimed and performed all over India, deals with the sensitive but enormously important question of the ethics of deploying the armed forces in dealing with civil disturbances within the country. This question, along with specific instances of rapes committed by army personnel in different parts of India, continues to be debated in the Indian public media and has engaged the attention of political leaders as well as the courts.
We strongly believe that it is both unjust and unwise to accuse intellectually responsible teachers of hurting the sentiments of some sections of opinion. The recent demise of Mahasweta Devi was a perfect occasion to engage university students in a serious discussion on why some of the greatest writers and artists of India have been concerned about the excesses of state violence carried out at the behest of those in power, no matter what their party or ideology.
We hope you will convey our views to those who have accused Dr. Manav and Dr. Kumar of being hurtful and unpatriotic. The university campus needs to be fostered as a place where difficult questions can be debated in a spirit of intellectual openness and without fear of censure.
Sincerely,
Gayatri Chakravorty Spivak, University Professor in the Humanities, Columbia University, New York
Akeel Bilgrami, Stanley Morgenbesser Professor of Philosophy, Columbia University, New York
Gauri Viswanathan, Professor of English and Comparative Literature, Columbia University, New York
Partha Chatterjee, Professor of anthropology, Columbia University, New York
Romila Thapar, Professor Emeritus in History, Jawaharlal Nehru University, New Delhi
Ramachandra Guha, author, Bengaluru

Continue reading Academics’ Letter to the VC, Central University of Haryana Regarding the ‘Draupadi’ Affair

International Scholars Condemn the Attack on Faculty and Students of Central University of Haryana

Over 70 UK and Europe-based scholars concerned with South Asia have written a letter to the Vice Chancellor of the Central University of Haryana. They have condemned the September 21, 2016 attack on a group of staff and students of CUH who were involved in putting together a performance based on the award-winning writer Mahasweta Devi’s acclaimed short story “Draupadi”. The attack and threats of charges of sedition against those involved in the performance were instigated by the BJP-affiliated student group ABVP as well as by the local press, which has falsely and maliciously spread the view that the play is anti-national and represented an attack on Indian soldiers. The letter appeals to the Vice Chancellor of CUH to protect the freedom of expression of the university’s staff and students, and to encourage the democratic exchange of ideas through means of debate and discussion.

 

Dear Vice-Chancellor Mahendra Pal Singh,

We, the undersigned, strongly condemn the attack on faculty members and students of the Department of English and Foreign Literatures at your university by members of the Akhil Bhartiya Vidyarthi Parishad (ABVP) for the performance of a play on 21 September 2016. The play was based on a short story by the eminent Bengali writer Mahasweta Devi. We understand that the staff and students involved in the performance had sought and received all necessary permissions for the event, which was organized to commemorate the literary achievements of Mahasweta Devi, the recipient of some of the most prestigious Indian and international awards.

We write to express our serious concern over this attack on the freedom of academic expression of the staff and students at your university. Mahasweta Devi’s story “Draupadi” was written in 1971 and represents her creative expression of the exploitation of India’s tribals.  It is regularly taught as part of course syllabi all over India and the world, including at the universities of some of the signatories to this letter. The claim by the ABVP and the local press that the play is an attack on Indian soldiers is manifestly fabricated. As one of the faculty members involved in the production, Dr Snehsata, has explained, students and teachers saw the programme as an academic and creative pursuit and their intention was certainly not to hurt the sentiments of soldiers as the ABVP has claimed: “In this event, I read the epilogue of the play recounting the data about atrocities on tribal people, especially sexual crimes against women by the Indian army. How ordinary soldiers are used by the state as a tool against its own people and how the body, especially the female body, becomes the site of revenge in the hands of Indian soldiers by the same state. All the teachers and students who were present there came up and congratulated us.”

Continue reading International Scholars Condemn the Attack on Faculty and Students of Central University of Haryana

मज़ाक मज़ाक में : किशोर

Guest Post by Kishore
(Summary: Article is about recent  racial comments on a  actress  and channel’s response to it.Now a days there is increasing trend of serving any thing in the name of comedy. This article raises questions on comedy. Is purpose of comedy is just to make us laugh or it has any social resposibility)
 पिछले दिनों तानिष्ता चटर्जी के रंग पर की गयी टिप्पणी के बाद वह एक मशहूर कॉमेडी शो को बीच में छोड़ कर चली गयी. बाद में उन्होंने इस टिप्पणी को नस्लवादी करार दिया. दूसरी तरफ इस चैनल ने इस आरोप को गलत बताते हुए कहा है वह तो बस “रोस्ट” ( एक तरह की खिंचाई) कर रहे थे और रोस्ट करना उनके शो में व्यंग करने करने का तरीका है . साथ में यह भी कहा कि उन्हें पहले ही बता दिया गया था कि उन्हें “ रोस्ट” किया जाएगा. किसी के रंग पर उलटे सीधे व्यंग करना कैसी  खिंचाई है इसका कोई स्पष्टीकरण नहीं दिया गया.
इसके बाद मुझे ध्यान आया कि पिछले कुछ सालों में टेलीविजन पर कॉमेडी शो की बाढ़ सी आ गयी है जो खुद ही कुछ कह कर खुद ही हँसते है. इन शो में किसी का मजाक उड़ाना कॉमेडी समझा जाता और इनमे किसी स्थिति से हास्य पैदा करने का सामर्थ् नहीं है. इन शो में कई बार किसी व्यक्ति या समूह को नीचा दिखा कर मजाक उड़ाया जाता है. अगर मैं कॉमेडी को एक विधा समझता हूँ या मैं उस समुदाय से सम्बन्ध रखता हूँ तो इस व्यंग पर मुझे हंसी नहीं आएगी.
वैसे मुझ जैसे अज्ञानियो को इन जैसे कॉमेडी शो से ज्यादा हंसी ए इस पर दिखाए जाने वाले होरर शो पर आती है जो डराने के मकसद से बनाये जाते हैं. खैर यह दीगर बात हएै पर एक बात तो तय है कि यह शो  बहुत लोकप्रिय हुए हैं और इनको देखने वालों की संख्या लाखो में है. भले ही तानिष्ता को उनके व्यंग करने के तरीके पर एतराज हो पर लोग इस अंदाज को बहुत पसंद कर रहे हैं.
मुझे उन लोगों की बात भी याद आई जो, जो मन में आये वह कह देते हैं और फिर कहते हैं इस बात को इतनी संजीदगी से लेने की क्या जरूरत है , यह तो महज एक मजाक था. इसी तरह किसी खास समुदाय और औरतो को लेकर बहुत से चुटकले चलते हैं जिनमें बहुत खराब खराब बातें होती है, और लोग हँसते भी है . आलोचना करने  पर इतना कह  कर बात टाल देते हैं कि यह चुटकला ही तो है. आखिर हम लोग कब कॉमेडी को संजीदगी से लेना शुरू करेंगे.
कॉमेडी का एक साधारण सा नियम तो समझ आता है कि कॉमेडी में जो हंसी का पात्र बनता है या बनती है उसे खुद भी अपनी उस स्थिति पर वैसे ही हंसी आनी चाहिए जैसे  की किसी और को आ रही है.  अर्थार्थ हंसी उसके रंग रूप , आकार या नैन नक्श से निरपेक्ष उस कलाकार के हाव भाव या उस परिस्थिति से आनी चाहिए. यह स्पष्ट है कि हंसी का कारण रंग रूप , आकार या नैन नक्श नहीं है.
दूसरी बात कि हंसी का कारण किसी समुदाय विशेष के प्रति पूर्वाग्रह नहीं होना चाहिए. हम यह कह कर मुक्त  नहीं हो सकते कि यह तो एक मजाक है. वास्तविकता यह है कि इस तरह के मजाक पूर्वाग्रहों को मजबूती देते हैं. यकीन ना हो तो अपने आसपास नजर दौड़ा कर देख लो. क्या इन पूर्वाग्रहों के सुदृढ़ होने मैं इस तरह के मजाक का हाथ नहीं है? क्या औरतों और पत्नियों के प्रति होने वाले मजाक ने समाज में उनकी स्थिति को प्रभावित नहीं किया ?
इन शो में से अधिकतर शो में कलाकार अपने हाव भाव और बातों से हंसाया जाता है. अब कोई पूछ सकता है कि हाव भाव या बातों से हंसाने में बुराई क्या है. सभी महान हास्य कलाकार बातों और हाव भाव से ही तो हंसाते थे या हैं. तो यह शो उन हास्य शो या फिल्मों से अलग कैसे हुए?
अंतर है कि किन बातों या किस हाव भाव से हंसाया जा रहा है. उस बात की विषय वस्तु  क्या है. कोई हाव भाव या बात फूहड़ या अश्लील  भी हो सकती है और सौम्य  भी. अब प्रश्न यह उठता है कि यह कौन तय करेगा कि यह विषय वस्तु फूहड़ या अश्लील है या सौम्य? हर समाज में फूहड़ या सौम्य होने के कुछ मानदंड होते हैं और कॉमेडी शो कि विषय वस्तु भी उसी से तय होगी. पर यह कहने में मुझे एक खतरा दिख रहा है? जिस तरह से किसी भी चीज को अश्लील या अनैतिक बता कर उस पर हमले हो रहे और कलाकारों की अभिव्यक्ति की स्वतंत्रता पर रोक लगाई जा रही  हैं उसमे इन शब्दों का प्रयोग बहुत संभल कर करना होगा.
मैं इस बात से आश्वस्त हूँ कि “ जाने भी दो यारों” नामक फिल्म में जो हास्य था वह उच्च कोटि का था और सौम्य था और जो मैं आजकल टी.वी. शो में देख रहा हूँ वह फूहड़ है. पर मैं यहाँ अपना तर्क गढ़ नहीं पा रहा कि क्या चीज “जाने भी दो यारों” को इन टी.वी. शो से अलग करती है. मेरा इस बात पे भी दृढ विशवास है  कि किसी के रंग रूप, नैन नक्श या किसी समुदाय के आधार मजाक उड़ाना गलत है . मैं पूरी तरह से इस शो के खिलाफ तानिष्ता का समर्थन करता हूँ.
बस मुझे बस इस बात पर संशय है कि किस आधार पर किसी बात को फूहड़ कहा जाएगा और किस आधार पर सौम्य?
(लेखक डेवलेपमेंट प्रोफेश्नल के रूप में  में कार्यरत हैं  और पिछले कई सालों से बाल अधिकारों के क्षेत्र में काम कर रहे हैं।)

Ambedkar and the Environmental Tradition

The 125th birth anniversary of Ambedkar was celebrated in April 2016 all around, so much so that the United Nations, for the first time, observed this day with a focus on achieving Sustainable Development Goals (SDGs). As we know, the 17 goals along with 169 targets and 304 indicators, adopted in September 2015, aspire to transform our world by balancing the three dimensions of sustainable development: economic, social and environmental. The ‘plan of action for people, planet and prosperity’ has environment at its core, along with poverty and inequality: to ‘protect planet’, create ‘healthy environment’, and ensure equality, dignity and development ‘in harmony with nature’. And Ambedkar is found in this regard to be an apt and inspiring leader.

The world can see traces of Ambedkar’s vision in the SDGs and can find his views relevant for environmental sustainability, but not the Indian environmentalists! Indian environmental movements marginalize Ambedkar. From a historical past, environmental scholars have placed Gandhi at the apex of their inspiration. Recently, Nehru and Indira Gandhi too have been constructed through an ecological lens. However, Ambedkar’s engagement with the environmental question has been relatively unexplored, even when his thoughts and interventions on nature, village, land, agriculture, water, community, industry, technology and science are some of the enduring issues of India’s environmental and political traditions. In comparison with Gandhi, credited with having an intuitive critique of modern civilization, Ambedkar has often been criticized for his modernization vision, which it is argued, drew heavily on the west for inspiration (Nagaraj 2010: 56-7)

Continue reading Ambedkar and the Environmental Tradition

Ae Shareef Insanon – Sahir Ludhianvi Talks to Those Who Are Still Sane in India and Pakistan

Ae Shareef Insanon

(Sahir Ludhianvi)

khoon apna ho ya paraya ho,
nasl-e-adam ka khoon hai aakhir;

jang mashriq mein ho ya maghrib mein,
aman-e-alam ka khoon hai aakhir.

jang to khud hi ek maslaa hai,
jang kyaa maslon ka hal degi;

aag aur khoon aaj bakhshegi,
bhookh aur ehtiyaaj kal degi.

bartaree ke saboot ki khatir,
khoon bahana hi kya zaroori hai?

ghar ki tareeqiyan mitane ko,
ghar jalana hi kya zaroori hai?

Bomb gharon par giren ke sarhad par,
Rooh-e-taameer zakhm khati hai;

Khet apne jalein ke auron ke,
Zeest faaqon mein tilmilati hai.

Tank aage badhe ke peeche hate,
Kokh dharti ki baanjh hoti hai;

Fateh ka jashn ho ke haar ka soug,
Zindagi maiyaton pe roti hai.

Isliye ae shareef insanon,
jang taltee rahe to behtar hai;

aap aur ham sabhi ke aangan mein,
shama jalti rahe to behtar hai.

 

اے شريف انسانو !
(ساحر لدھيانوي)

خون اپنا ہو يا پرايا ہو
نسلِ آدم کا خون ہے آخر
جنگ مشرق ميں ہو کہ مغرب ميں
امنِ عالم کا خون ہے آخر
بم گھروں پر گريں کہ سرحد پر
روح تعمير زخم کھاتی ہے
کھيت اپنے جليں کہ اوروں کے
زيست فاقوں سے تلملاتی ہے
ٹينک آگے بڑھيں، کہ پيچھے ہٹيں
کوکھ دھرتی کی بانجھ ہوتی ہے
فتح کا جشن ہو کہ ہار کا سوگ
زندگی ميتوں پر روتی ہے
جنگ تو خود ہی ايک مسئلہ ہے
جنگ کيا مسئلوں کا حل دے گی
آگ اور خون آج بخشے گی
بھوک اور احتياج کل دے گی
اس ليے اے شريف انسانو !
جنگ ٹلتی رہے تو بہتر ہے
آپ اور ہم سبھی کے آنگن ميں
شمع جلتی رہے تو بہتر ہے
برتری کے ثبوت کی خاطر
خوں بہانا ہی کيا ضروری ہے
گھر کی تاريکياں مٹانے کو
گھر جلانا ہی کيا ضروری ہے
جنگ کے اور بھی تو ميدان ہيں
صرف ميدانِ کشت و خوں ہی نہيں
حاصلِ زندگی خِرد بھی ہے
حاصلِ زندگی جنوں ہی نہيں
آؤ اس تيرہ بخت دنيا ميں
فکر کی روشنی کو عام کريں
امن کو جن سے تقويت پہنچے
ايسی جنگوں کا اہتمام کريں
جنگ، وحشت سے، بربريت سے
امن، تہذيب و ارتقاء کے ليے
جنگ، مرگ آفريں سياست سے
امن، انسان کی بقاء کے لیے
جنگ، افلاس اور غلامی سے
امن، بہتر نظام کي خاطر
جنگ بھٹکي ہوئي قيادت سے
امن، بےبس عوام کي خاطر
جنگ، سرمائے کے تسلط سے
امن، جمہور کي خوشي کے ليے
جنگ، جنگوں کے فلسفے کے خلاف
امن، پُرامن زندگي کے ليے‘

 

The Orphaning of ‘Women’s Collective Interests’ in Kerala

 

There is considerable outrage in Kerala about how the accused in the murder of the young woman worker Soumya in 2011 has slipped the noose at the Supreme Court. There is considerable doubt remaining on how the murder of the young dalit woman student Jisha was handled by the present government. In both cases, the accused are not men who would earn the sympathy of the Malayali middle-class – in one case, a tamil homeless man, and in the other, a Muslim migrant worker. Not surprisingly, the cry for their blood has been particularly shrill. Outrage at the Supreme Court’s refusal to endorse the lower court’s judgment in the first case is particularly striking – not only because of its loudness, but also because one is unable to forget the Suryanelli case. The difference between the present cases and the Suryanelli case is that in the latter, the victim has been condemned to living death, though she has persistently fought to be heard as a survivor of the most horrific violence. Yet her pleas that the powerful Malayali politician P J Kurien be also tried never roused the kind of outrage was have heard recently. It appears that the Malayali public is kinder to dead violated women than women who survive violation; it also seems harsher towards abjected males than to .powerful males who occupy the pedestal of elite masculinity. Continue reading The Orphaning of ‘Women’s Collective Interests’ in Kerala

Self and Other : Indus Chadha

This is a guest post by INDUS CHADHA

The summer that I was 5-years-old, I took my first flight alone because I wanted to spend my holidays with my grandparents. My parents prepared me well—they even read aloud and recorded my favourite stories on an audio cassette which we put into our Walkman for my long solo journey. But there was one question they neglected to answer. “What should I do if the flight crashes?” I had asked. “It won’t…” they had brushed my question away. So when the flight attendant came out into the aisle and announced that one of our engines had failed and we would have to turn back to our point of origin to make an emergency landing—I wondered what I should do.

A man a few rows ahead of me got up from his seat and started shouting at the flight attendant. He was obviously afraid and seemed to hope oddly that he could frighten some comfort out of her. I remember him saying over and over again that he had a young child with him on the flight and that made me conscious of both the gravity of the situation and the fact that I was so young and all alone. I felt tears start to well up in my throat and took small sips of my orange juice to wash down the urge to cry. And then, out of the blue, the young man sitting beside me started talking to me. He asked me what I was studying at school and when I told him our theme for the last term had been pirates he exclaimed that he was a ‘shippie’ and knew all about them.

Continue reading Self and Other : Indus Chadha

The Left Non-debate on Fascism or How Not to Fight the Hindu Right

History never repeats itself. Neither as tragedy, nor as farce. Every historical situation is a singularity, a product of its conjuncture and the opening out of different possibilities – thus irreducible to any other. What becomes farcical is the attempt of historical actors to borrow their slogans, icons and ideas from specific pasts and their attempt to reenact them in conjunctures that are radically different. Indian communists, of course, have long had a penchant for re-enacting (or believing they are re-enacting) other histories and other revolutions. And yet, more often than not, they have simply operated on the margins, engaging in violent and heated debates, as if the course of history depended on how these debates were resolved – while other historical actors took centre-stage, actually steering the course of history.

For decades Indian communists debated the ‘class character of the Indian state’ and even though their descriptions of its effects often differed little (except for an emphasis here or an emphasis there), they themselves split many times over in trying to name the beast. They became one another’s bitterest enemies, throwing about labels like “revisionist”, “neo-revisionist”, “sectarian”, “adventurist” and so on. Ask the CPI, CPI(M) or CPI(ML) Liberation, who fought the 2015 Bihar elections together and are trying to come together on issues of common concern today, how invested they are in those characterizations and how relevant they find them for their joint activity today? The really honest answer would have to be that it is of no relevance, whatsoever,  whether the state is described as that of the national bourgeoisie, the bourgeois-landlord alliance or as a semi-feudal and semi-colonial one – especially where it concerns joint or common struggles. Indeed, many communists might cringe today if reminded of these characterizations over which not just barrels of ink but precious blood has been spilt in the past. And so it happened, that while communists occupied themselves with all this bloodletting, history passed them by. Not once or twice but repeatedly.

There is a sense of deja vu therefore, when the official Left (at least the CPI(M) and CPI) and many left intellectuals suddenly seem bent upon tearing each other to bits in simply trying to name the Modi/RSS/BJP phenomenon (hereafter referred to as Sanghism – a term I have explained elsewhere). It seems it is necessary to first “correctly” characterize the phenomenon before any fight can even be conceived – even though, I suspect, there will be little difference in the way the different protagonists actually describe it.

Kick-starting this great non-debate, former CPI(M) general secretary Prakash Karat wrote in The Indian Express, a piece so befuddling that it left many people gasping: The Sanghist/ Modi dispensation, according to him, is “right -wing authoritarian” but not “fascist” and hence there is no need for broader resistance against it (my paraphrase of what is in fact a simple question of whether or not to have an electoral alliance with the Congress!) What was worse, he referred to what he called the “classic definition” (yes, definition!) of fascism, in order to make his point. What was simply a formulation made by Georgi Dimitrov and the Comintern in a specific context, is turned into a definition. Here is Karat’s “definition”: Fascism in power is “the open terrorist dictatorship of the most reactionary, most chauvinistic and most imperialist elements of finance capital.” From this definition, he then proceeds to make his deductions about present day India:

In India today, neither has fascism been established, nor are the conditions present — in political, economic and class terms — for a fascist regime to be established. There is no crisis that threatens a collapse of the capitalist system; the ruling classes of India face no threat to their class rule.

Every bit of this statement is an instance of formulaic thinking. As Jairus Banaji pointed out in a sharp riposte, calling Dimitrov’s formulation a “classic definition” is merely a way of suggesting that it was a code graven in stone, and therefore, not open to any critical scrutiny or examination. After all, how can you debate a definition? Banaji, in fact, made an important point in his response: fascism is not merely a conspiracy of finance capital but as later Marxists like Arthur Rosenberg and Wilhelm Reich repeatedly insisted, it was, above all, a mass movement. If one seriously ponders the implications of this claim, fascism’s relationship to capital – finance or otherwise – can hardly be seen as simple and straightforward any more. We will return to this point later. Continue reading The Left Non-debate on Fascism or How Not to Fight the Hindu Right

Historic Delhi High Court Judgement Dismisses Publishers’ Copyright Infringement Petition

In its much awaited judgment in the Delhi University photocopying case (The Chancellor Masters and Scholars of the University of Oxford v. Rameshwari Photocopy Services), the Delhi High Court has dismissed the copyright infringement petition initiated in August 2012 by three publishers (Oxford, Cambridge and Taylor & Francis) against a photocopy shop located in the premises of Delhi University. This case, which was being closely tracked by students, teachers and the publishing industry alike, was seen as one with immense significance for questions of access to knowledge. While initially involving only the publishers, the photocopier and the university, the case also saw intervention petitions being filed by a student group (Association of Students for Equitable Access to Knowledge) as well as by teachers and academics (Society for Promoting Educational Access and Knowledge). While the publishers made the argument that the creation of course packs and the photocopying of academic material for the same amounted to an infringement of the exclusive copyright of the authors and publishers, the defendants argued that the reproduction of materials for educational purposes fell within the exceptions to copyright under Section 52(1)(i) of the Copyright Act.

Not a moral right

In his considered and sharply reasoned judgment, Justice Rajiv Sahai Endlaw examines the gamut of arguments made by both sides and arrives at the conclusion that copyright is a statutory right and not a natural right, and hence any right that is granted to owners is also limited by exceptions carved out by law. The nature of Section 52 of the Copyright Act is such that any act falling within its scope will not constitute infringement. Section 52(1)(i) allows for the reproduction of any work i) by a teacher or a pupil in the course of instruction; or ii) as part of the questions to be answered in an examination; or iii) in answers to such questions.

Continue reading Historic Delhi High Court Judgement Dismisses Publishers’ Copyright Infringement Petition

Adventures in Creepland: An Open Letter to the District Collector, Calicut, Kerala

This letter is jointly written by the signatories.

 

Dear Mr Prasanth Nair

We, the undersigned participants of the 7th Queer Pride March held on 12 August 2016 in Calicut, would like to bring to your attention the unforgivably irresponsible attitude of the Kozhikode police towards the rights of young people who identify themselves as queer, and their allies. In what should have been a completely joyous event, their attitude cast a dark shadow, for sure. Continue reading Adventures in Creepland: An Open Letter to the District Collector, Calicut, Kerala

Slow Rendering of an Ache & Mahesh Verma’s Translation : Prasanta Chakravarty

This is a guest post by PRASANTA CHAKRAVARTY

 

“If the translation of poetry is impossible, then the translation of poetry is a genuine art.”

~Nasos Vayenas, Eight Positions on the Translation of Poetry

 

Translation is an act in the wake of literature. Both the languages – source and target – are variations on literary themes, with neither having priority. But translation depends on an essential paradox: a collision between restlessness and poise, detachment and recreation. In the best translations of poetry this paradox turns into a synthesis that must remain unfinished. Continue reading Slow Rendering of an Ache & Mahesh Verma’s Translation : Prasanta Chakravarty